NUCLEAR FAMILY 19769
THE
MAGICALALPHABET
..................
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THE RAINBOW LIGHT |
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3 |
THE |
33 |
15 |
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7 |
RAINBOW |
82 |
37 |
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5 |
LIGHT |
56 |
29 |
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171 |
81 |
9 |
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1+4 |
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1+5 |
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1+7+1 |
8+1 |
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THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
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1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
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Reduce to Deduce |
1+8 |
- |
- |
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Essence of Number |
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THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
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- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
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16 |
Second Total |
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- |
- |
- |
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1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
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Essence of Number |
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9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
3 |
THE |
33 |
15 |
6 |
4 |
HOLY |
60 |
24 |
6 |
7 |
MESSAGE |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
3 |
S+A+G |
27 |
18 |
9 |
1 |
E |
5 |
5 |
5 |
7 |
MESSAGE |
69 |
42 |
24 |
14 |
Add |
162 |
81 |
36 |
1+4 |
Reduce |
1+6+2 |
8+1 |
3+6 |
5 |
Deduce |
9 |
9 |
9 |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
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133 |
61 |
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10 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
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5+8 |
Add to Reduce |
6+2+6 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+3 |
Reduce to Deduce |
1+4 |
1+4 |
1+0 |
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Essence of Number |
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26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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= |
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= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
= |
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occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
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occurs |
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3 |
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3 |
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3 |
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3 |
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+ |
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occurs |
x |
3 |
= |
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4 |
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4 |
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4 |
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+ |
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occurs |
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3 |
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1+2 |
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5 |
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5 |
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5 |
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+ |
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occurs |
x |
3 |
= |
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1+5 |
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6 |
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6 |
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6 |
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+ |
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occurs |
x |
3 |
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1+8 |
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7 |
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7 |
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7 |
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+ |
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occurs |
x |
3 |
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2+1 |
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8 |
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8 |
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8 |
+ |
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occurs |
x |
3 |
= |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
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occurs |
x |
2 |
= |
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1+8 |
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26 |
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I |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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1 |
2 |
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4 |
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6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
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26 |
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- |
- |
- |
- |
SIGNALLING |
- |
- |
- |
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= |
7 |
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1 |
S |
19 |
10 |
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= |
1 |
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1 |
A |
1 |
1 |
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3 |
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1 |
L |
12 |
3 |
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= |
3 |
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1 |
L |
12 |
3 |
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= |
5 |
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1 |
N |
14 |
5 |
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= |
5 |
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1 |
N |
14 |
5 |
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= |
7 |
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1 |
G |
7 |
7 |
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= |
7 |
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1 |
G |
7 |
7 |
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= |
9 |
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1 |
I |
9 |
9 |
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= |
9 |
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1 |
I |
9 |
9 |
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50 |
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10 |
SIGNALLING |
104 |
59 |
50 |
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10 |
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14 |
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18 |
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5+0 |
|
1+0 |
- |
1+0+4 |
5+9 |
5+0 |
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1+0 |
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1+4 |
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1+8 |
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5 |
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1 |
SIGNALLING |
5 |
14 |
5 |
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1 |
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- |
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- |
- |
- |
1+4 |
- |
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- |
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5 |
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1 |
SIGNALLING |
5 |
5 |
5 |
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1 |
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4 |
ATUM |
- |
- |
- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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- |
- |
5+5 |
1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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- |
- |
1+0 |
- |
- |
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4 |
ATUM |
1 |
1 |
1 |
- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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- |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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- |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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21 |
13 |
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1+0 |
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- |
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occurs |
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occurs |
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occurs |
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occurs |
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5 |
- |
- |
- |
- |
- |
- |
- |
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FIVE |
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- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
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SIX |
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- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
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SEVEN |
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- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
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EIGHT |
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- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
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NINE |
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- |
- |
- |
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3+5 |
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1 |
2 |
3 |
4 |
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1+0 |
- |
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Q |
1+0 |
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THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
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4 |
ATUM |
- |
- |
- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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- |
- |
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1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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- |
1+0 |
- |
- |
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4 |
ATUM |
1 |
1 |
1 |
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4 |
ATUM |
- |
- |
- |
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A |
1 |
1 |
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20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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- |
5+5 |
1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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1+0 |
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ATUM |
1 |
1 |
1 |
- |
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occurs |
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occurs |
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occurs |
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occurs |
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SEVEN |
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8 |
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EIGHT |
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9 |
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NINE |
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3+5 |
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1+0 |
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13 |
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1+0 |
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THE CITY OF REVELATION
John Michell 1972
Gnostic Numbers
Page 118
"Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena."
Page 121 / How it was ever supposed that the Hebrew alphabet of twenty- two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
1 |
I |
9 |
9 |
9 |
3 |
SAY |
45 |
9 |
9 |
7 |
DECODER |
54 |
36 |
9 |
6 |
DECODE |
36 |
27 |
9 |
4 |
CODE |
27 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
CODED |
31 |
22 |
4 |
5 |
CODES |
46 |
19 |
1 |
- |
CODE |
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|
- |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODE |
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|
- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
- |
DECODER |
|
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- |
2 |
D+E |
9 |
9 |
9 |
2 |
C+O |
18 |
9 |
9 |
2 |
D+E |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
CODE DE CODE
C+O D+E D+E C+O D+E
9+9+9+9+9
C+O D+E D+E C+O D+E
CODE DE CODE
10 |
CODE DE CODE |
67 |
13 |
4 |
|
C+O |
18 |
9 |
|
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D+E |
9 |
9 |
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D+E |
9 |
9 |
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C+O |
18 |
9 |
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D+E |
9 |
9 |
|
10 |
CODE DE CODE |
63 |
36 |
36 |
1+0 |
- |
6+3 |
3+6 |
3+6 |
1 |
CODE DE CODE |
9 |
9 |
9 |
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE
ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
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A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
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Essence of Number |
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THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 /
universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time"
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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THE LIGHT IS RISING RISING IS THE LIGHT
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THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points
out that he understands Frazer's Golden Bough to be a a book hinting
that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the
conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss
(60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.)
In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.
'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
OF TIME AND STARS
Arthur C. Clarke 1972
FOREWORD
"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
Page 15
The Nine Billion Names of God
'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'
Page16
'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "
Page 68
Into the Comet
"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my granduncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
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|
|
|
- |
- |
|
- |
- |
2 |
3 |
4 |
4 |
|
1 |
- |
4 |
|
1 |
9 |
4 |
1 |
- |
|
1 |
|
7 |
|
1 |
|
|
|
4+2 |
|
|
= |
|
|
|
- |
- |
2 |
21 |
4 |
4 |
|
1 |
- |
4 |
|
1 |
18 |
13 |
1 |
- |
|
1 |
|
7 |
|
1 |
|
|
|
6+0 |
|
|
= |
|
|
|
|
18 |
|
|
|
|
|
|
- |
|
|
A |
|
|
|
- |
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
2 |
21 |
4 |
4 |
8 |
1 |
- |
4 |
8 |
1 |
18 |
13 |
1 |
- |
19 |
1 |
14 |
7 |
8 |
1 |
|
|
|
1+3+5 |
|
|
= |
|
|
|
- |
- |
2 |
3 |
4 |
4 |
8 |
1 |
- |
4 |
8 |
1 |
9 |
4 |
1 |
- |
1 |
1 |
5 |
7 |
8 |
1 |
|
|
|
7+2 |
|
|
= |
|
|
|
|
18 |
|
|
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|
|
|
A |
|
|
A |
|
|
|
- |
S |
|
|
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|
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|
|
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|
|
- |
- |
|
- |
- |
- |
|
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|
occurs |
x |
|
= |
6 |
= |
|
- |
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occurs |
x |
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= |
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= |
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- |
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- |
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occurs |
x |
|
= |
3 |
= |
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- |
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- |
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occurs |
x |
|
= |
16 |
1+6 |
|
- |
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- |
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occurs |
x |
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= |
5 |
= |
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- |
- |
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- |
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occurs |
x |
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= |
7 |
= |
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occurs |
x |
|
= |
24 |
2+4 |
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- |
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occurs |
x |
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= |
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= |
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A |
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- |
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1+8 |
- |
|
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|
- |
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|
- |
|
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|
12 |
|
|
1+8 |
|
7+2 |
|
4+5 |
|
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- |
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- |
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|
- |
- |
2 |
3 |
4 |
4 |
8 |
1 |
- |
4 |
8 |
1 |
9 |
4 |
1 |
- |
1 |
1 |
5 |
7 |
8 |
1 |
|
|
|
7+2 |
|
|
= |
|
|
|
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- |
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- |
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|
18 |
|
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- |
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A |
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- |
S |
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|
- |
- |
|
- |
|
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|
8 |
|
- |
|
8 |
|
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|
- |
1 |
|
5 |
|
8 |
|
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|
3+0 |
|
|
= |
|
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|
- |
|
|
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|
8 |
|
- |
|
8 |
|
|
|
|
- |
19 |
|
14 |
|
8 |
|
|
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|
4+8 |
|
|
1+2 |
|
|
|
18 |
|
|
|
|
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|
- |
|
|
A |
|
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|
- |
S |
|
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|
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|
- |
- |
|
- |
2 |
3 |
4 |
4 |
|
1 |
- |
4 |
|
1 |
9 |
4 |
1 |
- |
|
1 |
|
7 |
|
1 |
|
|
|
4+2 |
|
|
= |
|
|
|
- |
2 |
21 |
4 |
4 |
|
1 |
- |
4 |
|
1 |
18 |
13 |
1 |
- |
|
1 |
|
7 |
|
1 |
|
|
|
6+0 |
|
|
= |
|
|
|
18 |
|
|
|
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|
- |
|
|
A |
|
|
|
- |
S |
|
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|
|
|
|
|
|
|
|
|
- |
- |
|
- |
2 |
21 |
4 |
4 |
8 |
1 |
- |
4 |
8 |
1 |
18 |
13 |
1 |
- |
19 |
1 |
14 |
7 |
8 |
1 |
|
|
|
1+3+5 |
|
|
= |
|
|
|
- |
2 |
3 |
4 |
4 |
8 |
1 |
- |
4 |
8 |
1 |
9 |
4 |
1 |
- |
1 |
1 |
5 |
7 |
8 |
1 |
|
|
|
7+2 |
|
|
= |
|
|
|
18 |
|
|
|
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|
A |
|
|
A |
|
|
|
- |
S |
|
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|
- |
- |
|
- |
- |
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|
occurs |
x |
|
= |
6 |
= |
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|
occurs |
x |
|
= |
|
= |
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- |
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|
occurs |
x |
|
= |
3 |
= |
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- |
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|
occurs |
x |
|
= |
16 |
1+6 |
|
|
- |
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|
occurs |
x |
|
= |
5 |
= |
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- |
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occurs |
x |
|
= |
7 |
= |
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|
occurs |
x |
|
= |
24 |
2+4 |
|
|
- |
|
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|
occurs |
x |
|
= |
|
= |
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|
A |
|
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|
- |
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|
1+8 |
- |
|
|
|
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|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
12 |
|
|
1+8 |
|
7+2 |
|
4+5 |
|
|
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|
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|
- |
|
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|
- |
|
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|
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|
|
- |
2 |
3 |
4 |
4 |
8 |
1 |
- |
4 |
8 |
1 |
9 |
4 |
1 |
- |
1 |
1 |
5 |
7 |
8 |
1 |
|
|
|
7+2 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
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|
- |
|
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|
|
|
|
|
|
|
BODHISATTVA |
|
|
|
|
B |
2 |
2 |
|
|
O+D+H |
27 |
18 |
|
|
I |
9 |
9 |
|
|
S+A |
20 |
11 |
|
|
T+T+V+A |
63 |
9 |
|
11 |
BODHISATTVA |
- |
- |
- |
11 |
BODHISATTVA |
121 |
49 |
4 |
6 |
BUDDHA |
40 |
22 |
4 |
6 |
BUDDHA |
40 |
22 |
4 |
6 |
DHARMA |
45 |
27 |
9 |
6 |
SANGHA |
|
|
|
18 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+3+5 |
7+2 |
1+8 |
9 |
Essence of Number |
|
|
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|
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|
|
|
|
|
|
|
|
|
|
- |
- |
- |
2 |
21 |
4 |
|
|
|
|
|
|
|
|
- |
- |
2 |
3 |
4 |
|
|
|
|
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- |
|
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|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
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|
3+6 |
|
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|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
- |
- |
2 |
21 |
4 |
|
|
|
|
|
|
|
|
- |
2 |
3 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
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|
|
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|
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|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
BUDDHA |
- |
- |
- |
3 |
B+U+D |
27 |
9 |
9 |
1 |
D |
4 |
4 |
4 |
2 |
H+A |
9 |
9 |
9 |
6 |
BUDDHA |
40 |
22 |
22 |
|
- |
4+0 |
2+2 |
2+2 |
6 |
BUDDHA |
4 |
4 |
4 |
- |
BUDDHA |
|
|
- |
3 |
B+U+D |
27 |
9 |
9 |
3 |
H+A+D |
13 |
13 |
4 |
6 |
BUDDHA |
40 |
22 |
13 |
|
- |
4+0 |
2+2 |
1+3 |
6 |
BUDDHA |
4 |
4 |
4 |
-- |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
8 |
- |
|
9 |
|
- |
|
9 |
|
|
- |
|
|
|
|
|
|
|
|
2+6 |
|
|
= |
|
|
|
-- |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
1 |
9 |
2 |
|
- |
1 |
|
9 |
- |
6 |
|
9 |
5 |
- |
5 |
1 |
2 |
5 |
9 |
|
|
|
6+9 |
|
|
1+5 |
|
|
|
- |
- |
5 |
1 |
18 |
20 |
|
- |
1 |
|
18 |
- |
6 |
|
18 |
5 |
- |
23 |
1 |
20 |
5 |
18 |
|
|
|
1+5+9 |
|
|
1+5 |
|
|
|
-- |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
1 |
18 |
20 |
8 |
- |
1 |
9 |
18 |
- |
6 |
9 |
18 |
5 |
- |
23 |
1 |
20 |
5 |
18 |
|
|
|
1+8+5 |
|
|
1+4 |
|
|
|
- |
- |
5 |
1 |
9 |
2 |
8 |
- |
1 |
9 |
9 |
- |
6 |
9 |
9 |
5 |
- |
5 |
1 |
2 |
5 |
9 |
|
|
|
9+5 |
|
|
1+4 |
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
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|
|
|
|
|
|
|
- |
- |
|
- |
|
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|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
= |
|
|
- |
|
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|
- |
|
|
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|
|
|
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|
- |
|
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- |
|
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- |
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- |
|
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|
- |
|
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- |
|
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|
|
|
|
|
|
|
5 |
|
|
|
- |
5 |
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
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|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
- |
|
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|
- |
|
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- |
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- |
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|
occurs |
x |
|
= |
8 |
= |
|
- |
|
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|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
|
3+6 |
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
1+7 |
|
|
|
- |
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
- |
|
|
|
|
3+1 |
|
|
1+7 |
|
9+5 |
|
3+2 |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
1+4 |
|
3+2 |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
8 |
- |
|
9 |
|
- |
|
9 |
|
|
- |
|
|
|
|
|
|
|
|
2+6 |
|
|
= |
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
1 |
9 |
2 |
|
- |
1 |
|
9 |
- |
6 |
|
9 |
5 |
- |
5 |
1 |
2 |
5 |
9 |
|
|
|
6+9 |
|
|
1+5 |
|
|
|
- |
5 |
1 |
18 |
20 |
|
- |
1 |
|
18 |
- |
6 |
|
18 |
5 |
- |
23 |
1 |
20 |
5 |
18 |
|
|
|
1+5+9 |
|
|
1+5 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
1 |
18 |
20 |
8 |
- |
1 |
9 |
18 |
- |
6 |
9 |
18 |
5 |
- |
23 |
1 |
20 |
5 |
18 |
|
|
|
1+8+5 |
|
|
1+4 |
|
|
|
- |
5 |
1 |
9 |
2 |
8 |
- |
1 |
9 |
9 |
- |
6 |
9 |
9 |
5 |
- |
5 |
1 |
2 |
5 |
9 |
|
|
|
9+5 |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
5 |
|
|
|
- |
5 |
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
|
3+6 |
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+7 |
|
|
|
- |
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
- |
|
|
|
|
3+1 |
|
|
1+7 |
|
9+5 |
|
3+2 |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
1+4 |
|
3+2 |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
EARTH |
52 |
25 |
7 |
3 |
AIR |
28 |
19 |
1 |
4 |
FIRE |
38 |
29 |
2 |
5 |
WATER |
67 |
22 |
4 |
17 |
First Total |
|
|
|
|
Add to Reduce |
1+8+5 |
9+5 |
1+4 |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
- |
8 |
Essence of Number |
|
|
|
A |
= |
1 |
3
|
AIR |
28
|
19
|
1
|
F |
= |
6 |
4
|
FIRE |
38
|
29
|
2
|
E |
= |
5 |
5
|
EARTH |
52
|
25
|
7
|
W |
= |
5 |
5
|
WATER |
67
|
22
|
4
|
H |
= |
8 |
5
|
HUMAN |
57
|
21
|
3
|
S |
= |
1 |
6
|
SPIRIT |
91
|
37
|
1
|
- |
- |
26 |
28
|
- |
333
|
153
|
18
|
- |
- |
2+6 |
10
|
- |
3+3+3
|
1+5+3
|
1+8
|
- |
- |
8 |
1
|
- |
9
|
9
|
9
|
- |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
6 |
- |
- |
- |
- |
8 |
- |
- |
- |
6 |
5 |
|
|
|
2+5 |
= |
|
= |
|
= |
|
- |
|
- |
15 |
- |
- |
- |
- |
8 |
- |
- |
- |
15 |
14 |
|
|
|
5+2 |
= |
|
= |
|
= |
|
- |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
- |
|
4 |
- |
4 |
5 |
3 |
1 |
- |
5 |
4 |
9 |
- |
- |
|
|
|
3+5 |
= |
|
= |
|
= |
|
-`` |
|
4 |
- |
4 |
5 |
3 |
3 |
- |
5 |
4 |
18 |
- |
- |
|
|
|
4+4 |
= |
|
= |
|
= |
|
- |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
- |
|
4 |
15 |
4 |
5 |
3 |
3 |
8 |
5 |
4 |
18 |
15 |
14 |
|
|
|
9+6 |
= |
|
1+5 |
|
= |
|
- |
|
4 |
6 |
4 |
5 |
3 |
1 |
8 |
5 |
4 |
9 |
6 |
5 |
|
|
|
6+0 |
= |
|
= |
|
= |
|
- |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
- |
-- |
4 |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
|
|
- |
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
- |
- |
- |
- |
- |
5 |
- |
- |
- |
5 |
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
- |
-- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
- |
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
- |
- |
|
|
- |
-- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
8 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
|
occurs |
x |
|
= |
9 |
= |
|
9 |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
|
|
|
- |
1+1 |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
3+6 |
- |
- |
1+2 |
- |
6+0 |
- |
3+3 |
9 |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
9 |
|
|
|
|
|
|
|
- |
|
4 |
6 |
4 |
5 |
3 |
1 |
8 |
5 |
4 |
9 |
6 |
5 |
|
|
3+6 |
- |
- |
1+2 |
- |
6+0 |
- |
- |
9 |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
9 |
|
|
|
|
|
|
|
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
|
- |
6 |
- |
- |
- |
- |
8 |
- |
- |
- |
6 |
5 |
|
|
|
2+5 |
= |
|
= |
|
= |
|
|
- |
15 |
- |
- |
- |
- |
8 |
- |
- |
- |
15 |
14 |
|
|
|
5+2 |
= |
|
= |
|
= |
|
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
|
4 |
- |
4 |
5 |
3 |
1 |
- |
5 |
4 |
9 |
- |
- |
|
|
|
3+5 |
= |
|
= |
|
= |
|
|
4 |
- |
4 |
5 |
3 |
3 |
- |
5 |
4 |
18 |
- |
- |
|
|
|
4+4 |
= |
|
= |
|
= |
|
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
|
4 |
15 |
4 |
5 |
3 |
3 |
8 |
5 |
4 |
18 |
15 |
14 |
|
|
|
9+6 |
= |
|
1+5 |
|
= |
|
|
4 |
6 |
4 |
5 |
3 |
1 |
8 |
5 |
4 |
9 |
6 |
5 |
|
|
|
6+0 |
= |
|
= |
|
= |
|
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
1 |
= |
|
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
-- |
4 |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
- |
- |
- |
- |
5 |
- |
- |
- |
5 |
- |
- |
- |
5 |
- |
- |
|
occurs |
x |
|
= |
15 |
1+5 |
|
-- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
-- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
8 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
|
occurs |
x |
|
= |
9 |
= |
|
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
- |
- |
36 |
|
|
|
|
|
|
|
1+1 |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
3+6 |
- |
- |
1+2 |
- |
6+0 |
- |
3+3 |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
9 |
|
|
|
|
|
|
|
|
4 |
6 |
4 |
5 |
3 |
1 |
8 |
5 |
4 |
9 |
6 |
5 |
|
|
3+6 |
- |
- |
1+2 |
- |
6+0 |
- |
- |
|
D |
O |
D |
E |
C |
A |
H |
E |
D |
R |
O |
N |
|
|
9 |
|
|
|
|
|
|
|
- |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
8 |
- |
- |
- |
- |
5 |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
2+1 |
= |
|
= |
|
= |
|
- |
|
- |
8 |
- |
- |
- |
- |
14 |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
3+0 |
= |
|
= |
|
= |
|
- |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
- |
|
2 |
- |
5 |
- |
2 |
5 |
- |
2 |
- |
- |
1 |
4 |
1 |
2 |
1 |
9 |
|
|
|
3+4 |
= |
|
= |
|
= |
|
- |
|
20 |
- |
5 |
- |
20 |
5 |
- |
20 |
- |
- |
1 |
22 |
1 |
20 |
1 |
18 |
|
|
|
1+3+3 |
= |
|
= |
|
= |
|
- |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
- |
|
20 |
8 |
5 |
- |
20 |
5 |
14 |
20 |
8 |
- |
1 |
22 |
1 |
20 |
1 |
18 |
|
|
|
1+6+3 |
= |
|
1+0 |
|
= |
|
- |
|
2 |
8 |
5 |
- |
2 |
5 |
5 |
2 |
8 |
- |
1 |
4 |
1 |
2 |
1 |
9 |
|
|
|
5+5 |
= |
|
1+0 |
|
= |
|
- |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
- |
-- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
1 |
- |
- |
- |
|
occurs |
x |
|
= |
3 |
|
|
- |
- |
2 |
- |
- |
- |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
|
- |
-- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
- |
5 |
- |
- |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
15 |
1+5 |
|
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
|
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
- |
|
|
- |
-- |
- |
8 |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
occurs |
x |
|
= |
9 |
= |
|
16 |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
- |
- |
29 |
|
|
|
|
|
|
|
1+6 |
1+4 |
|
- |
- |
|
|
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
2+9 |
- |
- |
1+4 |
- |
5+5 |
- |
3+7 |
7 |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
O |
R |
|
|
11 |
|
|
|
|
|
|
|
- |
|
2 |
8 |
5 |
- |
2 |
5 |
5 |
2 |
8 |
- |
1 |
4 |
1 |
2 |
1 |
9 |
|
|
1+1 |
- |
- |
- |
- |
1+0 |
- |
1+0 |
7 |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
2 |
|
|
|
|
|
|
|
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
|
- |
8 |
- |
- |
- |
- |
5 |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
2+1 |
= |
|
= |
|
= |
|
|
- |
8 |
- |
- |
- |
- |
14 |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
3+0 |
= |
|
= |
|
= |
|
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
|
2 |
- |
5 |
- |
2 |
5 |
- |
2 |
- |
- |
1 |
4 |
1 |
2 |
1 |
9 |
|
|
|
3+4 |
= |
|
= |
|
= |
|
|
20 |
- |
5 |
- |
20 |
5 |
- |
20 |
- |
- |
1 |
22 |
1 |
20 |
1 |
18 |
|
|
|
1+3+3 |
= |
|
= |
|
= |
|
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
|
20 |
8 |
5 |
- |
20 |
5 |
14 |
20 |
8 |
- |
1 |
22 |
1 |
20 |
1 |
18 |
|
|
|
1+6+3 |
= |
|
1+0 |
|
= |
|
|
2 |
8 |
5 |
- |
2 |
5 |
5 |
2 |
8 |
- |
1 |
4 |
1 |
2 |
1 |
9 |
|
|
|
5+5 |
= |
|
1+0 |
|
= |
|
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
|
|
|
|
|
- |
- |
|
-- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
1 |
- |
- |
|
|
occurs |
x |
|
= |
3 |
|
|
- |
2 |
- |
- |
- |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
|
|
occurs |
x |
|
= |
8 |
= |
|
-- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
- |
- |
- |
5 |
- |
- |
5 |
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
-- |
- |
8 |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
occurs |
x |
|
= |
9 |
= |
|
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
- |
- |
29 |
|
|
|
|
|
|
|
1+4 |
|
- |
- |
|
|
- |
|
|
- |
|
|
- |
|
|
|
|
|
|
2+9 |
- |
- |
1+4 |
- |
5+5 |
- |
3+7 |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
O |
R |
|
|
11 |
|
|
|
|
|
|
|
|
2 |
8 |
5 |
- |
2 |
5 |
5 |
2 |
8 |
- |
1 |
4 |
1 |
2 |
1 |
9 |
|
|
1+1 |
- |
- |
- |
- |
1+0 |
- |
1+0 |
|
T |
H |
E |
- |
T |
E |
N |
T |
H |
- |
A |
V |
A |
T |
A |
R |
|
|
2 |
|
|
|
|
|
|
|
|
THE TENTH AVATAR |
|
- |
|
|
THE |
33 |
15 |
|
|
TENTH |
67 |
22 |
|
|
AVATAR |
63 |
18 |
|
16 |
THE TENTH AVATAR |
163 |
55 |
19 |
1+6 |
- |
1+6+3 |
5+5 |
1+9 |
7 |
THE TENTH AVATAR |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
7 |
THE TENTH AVATAR |
1 |
1 |
1 |
7 |
DREAMER |
64 |
46 |
1 |
6 |
READ ME |
46 |
28 |
1 |
|
HEROIC |
- |
|
|
|
HERO |
46 |
28 |
|
|
I |
9 |
9 |
|
|
C |
3 |
3 |
|
6 |
HERO |
58 |
40 |
13 |
- |
- |
5+8 |
4+0 |
1+3 |
6 |
HERO |
13 |
4 |
4 |
- |
- |
1+3 |
- |
- |
6 |
HERO |
4 |
4 |
4 |
4 |
HERO |
46 |
28 |
1 |
1 |
I |
9 |
9 |
9 |
3 |
SEE |
29 |
11 |
2 |
- |
- |
|
|
|
|
- |
- |
- |
- |
8 |
HERO I SEE |
84 |
48 |
3 |
6 |
HEROIC |
58 |
40 |
4 |
- |
TAT-TVAM-ASI |
- |
- |
- |
|
TAT |
41 |
5 |
|
|
TVAM |
56 |
11 |
|
|
ASI |
29 |
20 |
|
10 |
TAT-TVAM-ASI |
126 |
36 |
9 |
1+0 |
- |
1+2+6 |
3+6 |
- |
1 |
TAT-TVAM-ASI |
9 |
9 |
9 |
7 |
DREAMER |
64 |
46 |
1 |
6 |
READ ME |
46 |
28 |
1 |
7 |
PERFECT |
73 |
37 |
1 |
13 |
ENLIGHTENMENT |
146 |
65 |
2 |
- |
DHARMA KAYA |
- |
- |
- |
- |
D |
4 |
4 |
4 |
- |
H+A |
9 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
M+A |
14 |
5 |
5 |
6 |
DHARMA |
45 |
27 |
27 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
KAYA |
|
|
|
1 |
K |
11 |
2 |
2 |
3 |
A+Y+A |
27 |
9 |
9 |
10 |
DHARMA KAYA |
83 |
38 |
38 |
1+0 |
Add to Reduce |
8+3 |
3+8 |
3+8 |
1 |
Reduce to Deduce |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
1 |
- |
2 |
2 |
2 |
|
TRI-KAYA |
|
|
|
3 |
TRI |
47 |
20 |
2 |
4 |
KAYA |
38 |
11 |
2 |
7 |
TRI-KAYA |
85 |
31 |
4 |
= |
= |
8+5 |
3+1 |
- |
7 |
TRI-KAYA |
13 |
4 |
4 |
- |
- |
1+3 |
= |
- |
7 |
TRI-KAYA |
4 |
4 |
4 |
6 |
BUDDHA |
40 |
22 |
4 |
6 |
ANANDA |
35 |
17 |
8 |
12 |
|
|
|
|
|
|
7+5 |
3+9 |
1+2 |
3 |
|
|
|
|
|
|
1+2 |
1+2 |
- |
3 |
- |
3 |
3 |
3 |
3 |
AND |
19 |
10 |
1 |
6 |
ANANDA |
35 |
17 |
8 |
9 |
|
|
|
|
|
|
5+4 |
2+7 |
- |
9 |
|
|
|
|
H |
= |
|
8 |
4 |
HAIL |
30 |
21 |
3 |
T |
= |
|
2 |
3 |
THE |
33 |
15 |
6 |
B |
= |
|
2 |
6 |
BUDDHA |
40 |
22 |
4 |
- |
- |
|
12 |
13 |
First Total |
|
|
|
- |
- |
|
1+2 |
1+3 |
Add to Reduce |
1+0+3 |
5+8 |
1+3 |
Q |
- |
|
3 |
4 |
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
- |
1+3 |
- |
- |
- |
|
3 |
|
Essence of Number |
|
|
|
H |
= |
8 |
|
4 |
HAIL |
30 |
21 |
3 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
|
6 |
DHARMA |
45 |
27 |
9 |
- |
- |
14 |
|
13 |
Add to Reduce |
|
|
|
- |
- |
1+4 |
|
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
Q |
- |
5 |
|
4 |
Essence of Number |
|
|
|
H |
= |
8 |
|
4 |
HAIL |
30 |
21 |
3 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
|
6 |
SANGHA |
50 |
23 |
5 |
- |
- |
11 |
|
13 |
First Total |
|
|
|
- |
- |
1+1 |
|
1+3 |
Add to Reduce |
1+1+3 |
5+9 |
1+4 |
Q |
- |
2 |
|
4 |
Second Total |
|
|
|
- |
- |
- |
|
|
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
2 |
|
|
Essence of Number |
|
|
|
B |
= |
2 |
|
6 |
BUDDHA |
40 |
22 |
4 |
D |
= |
4 |
|
6 |
DHARMA |
45 |
27 |
9 |
S |
= |
1 |
|
6 |
SANGHA |
50 |
23 |
5 |
- |
- |
7 |
|
18 |
Add to Reduce |
|
|
|
- |
- |
- |
|
1+8 |
Reduce to Deduce |
1+3+5 |
7+2 |
1+8 |
Q |
- |
7 |
|
9 |
Essence of Number |
|
|
|
H |
= |
|
8 |
4 |
HAIL |
30 |
21 |
3 |
T |
= |
|
2 |
3 |
THE |
33 |
15 |
6 |
B |
= |
|
2 |
6 |
BUDDHA |
40 |
22 |
4 |
- |
- |
|
12 |
13 |
First Total |
|
|
|
- |
- |
|
1+2 |
1+3 |
Add to Reduce |
1+0+3 |
5+8 |
1+3 |
Q |
- |
|
3 |
4 |
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
- |
1+3 |
- |
- |
- |
|
3 |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
|
|
|
|
8 |
- |
|
|
|
3+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
1 |
- |
3 |
|
|
- |
5 |
|
2 |
3 |
4 |
4 |
- |
1 |
|
|
|
2+5 |
= |
|
= |
|
|
|
|
|
- |
1 |
- |
12 |
|
|
- |
5 |
|
2 |
21 |
4 |
4 |
- |
1 |
|
|
|
7+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
1 |
9 |
12 |
|
|
8 |
5 |
|
2 |
21 |
4 |
4 |
8 |
1 |
|
|
|
1+0+3 |
= |
|
= |
|
|
|
|
|
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
2 |
3 |
4 |
4 |
8 |
1 |
|
|
|
5+8 |
= |
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
2 |
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-`- |
-`- |
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-- |
-- |
|
- |
|
|
|
- |
|
5 |
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
6 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
7 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
-- |
-- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
2+4 |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
- |
|
1+3 |
- |
5+8 |
- |
4+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
13 |
|
|
- |
- |
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
2 |
3 |
4 |
4 |
8 |
1 |
|
|
- |
- |
|
- |
- |
1+3 |
- |
- |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
|
|
|
|
8 |
- |
|
|
|
3+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
1 |
- |
3 |
|
|
- |
5 |
|
2 |
3 |
4 |
4 |
- |
1 |
|
|
|
2+5 |
= |
|
= |
|
|
|
|
- |
1 |
- |
12 |
|
|
- |
5 |
|
2 |
21 |
4 |
4 |
- |
1 |
|
|
|
7+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
1 |
9 |
12 |
|
|
8 |
5 |
|
2 |
21 |
4 |
4 |
8 |
1 |
|
|
|
1+0+3 |
= |
|
= |
|
|
|
|
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
2 |
3 |
4 |
4 |
8 |
1 |
|
|
|
5+8 |
= |
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
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|
- |
- |
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
2 |
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
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|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
4 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
|
- |
|
5 |
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
2+4 |
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
- |
|
1+3 |
- |
5+8 |
- |
4+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
13 |
|
|
- |
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
2 |
3 |
4 |
4 |
8 |
1 |
|
|
- |
- |
|
- |
- |
1+3 |
- |
- |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
HAIL THE DHARMA |
67 |
13 |
4 |
|
H+A |
9 |
9 |
|
|
I |
9 |
9 |
|
|
L+T+H+E |
45 |
18 |
|
|
D |
4 |
4 |
|
|
H+A |
9 |
9 |
|
|
R |
18 |
9 |
|
|
M+A |
14 |
5 |
|
13 |
HAIL THE DHARMA |
108 |
63 |
54 |
1+3 |
- |
1+0+8 |
6+3 |
5+4 |
4 |
HAIL THE DHARMA |
9 |
9 |
9 |
H |
= |
8 |
|
4 |
HAIL |
30 |
21 |
3 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
|
6 |
DHARMA |
45 |
27 |
9 |
- |
- |
14 |
|
13 |
Add to Reduce |
|
|
|
- |
- |
1+4 |
|
1+3 |
Reduce to Deduce |
1+0+8 |
6+3 |
1+8 |
Q |
- |
5 |
|
4 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
|
8 |
- |
- |
- |
- |
|
|
|
3+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
1 |
- |
3 |
|
|
- |
5 |
|
4 |
- |
1 |
9 |
4 |
1 |
|
|
|
3+0 |
= |
|
= |
|
|
|
|
|
- |
1 |
- |
12 |
|
|
- |
5 |
|
4 |
- |
1 |
18 |
13 |
1 |
|
|
|
7+5 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
1 |
9 |
12 |
|
|
8 |
5 |
|
4 |
8 |
1 |
18 |
13 |
1 |
|
|
|
1+0+8 |
= |
|
= |
|
|
|
|
|
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
4 |
8 |
1 |
9 |
4 |
1 |
|
|
|
6+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-`- |
-`- |
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-- |
-- |
|
- |
|
|
|
- |
|
5 |
|
|
|
- |
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
6 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
7 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
-- |
-- |
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
2+4 |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
/ |
|
|
|
3+2 |
- |
|
1+3 |
- |
6+3 |
- |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
- |
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
4 |
8 |
1 |
9 |
4 |
1 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
|
8 |
- |
- |
- |
- |
|
|
|
3+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
1 |
- |
3 |
|
|
- |
5 |
|
4 |
- |
1 |
9 |
4 |
1 |
|
|
|
3+0 |
= |
|
= |
|
|
|
|
- |
1 |
- |
12 |
|
|
- |
5 |
|
4 |
- |
1 |
18 |
13 |
1 |
|
|
|
7+5 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
1 |
9 |
12 |
|
|
8 |
5 |
|
4 |
8 |
1 |
18 |
13 |
1 |
|
|
|
1+0+8 |
= |
|
= |
|
|
|
|
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
4 |
8 |
1 |
9 |
4 |
1 |
|
|
|
6+3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
|
- |
|
5 |
|
|
|
- |
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
2+4 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
/ |
|
|
|
3+2 |
- |
|
1+3 |
- |
6+3 |
- |
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
4 |
8 |
1 |
9 |
4 |
1 |
|
|
- |
- |
|
- |
- |
- |
- |
- |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
HAIL THE SANGHA |
67 |
13 |
4 |
|
H+A |
9 |
9 |
|
|
I |
9 |
9 |
|
|
L+T+H+E |
45 |
18 |
|
|
S+A+N+G |
41 |
14 |
|
|
H+A |
9 |
9 |
|
13 |
HAIL THE SANGHA |
113 |
59 |
41 |
1+3 |
- |
1+1+3 |
5+9 |
4+1 |
4 |
HAIL THE SANGHA |
5 |
14 |
5 |
- |
- |
- |
1+4 |
- |
4 |
HAIL THE SANGHA |
5 |
5 |
5 |
H |
= |
8 |
|
4 |
HAIL |
30 |
21 |
3 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
|
6 |
SANGHA |
50 |
23 |
5 |
- |
- |
11 |
|
13 |
First Total |
|
|
|
- |
- |
1+1 |
|
1+3 |
Add to Reduce |
1+1+3 |
5+9 |
1+4 |
Q |
- |
2 |
|
4 |
Second Total |
|
|
|
- |
- |
- |
|
|
Reduce to Deduce |
- |
1+4 |
- |
- |
- |
2 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
1 |
- |
5 |
|
8 |
- |
|
|
|
3+9 |
= |
|
1+2 |
|
|
|
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
19 |
- |
14 |
|
8 |
- |
|
|
|
6+6 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
1 |
- |
3 |
|
|
- |
5 |
|
|
1 |
|
7 |
- |
1 |
|
|
|
2+0 |
= |
|
= |
|
|
|
|
|
- |
1 |
- |
12 |
|
|
- |
5 |
|
|
1 |
|
7 |
- |
1 |
|
|
|
4+7 |
= |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
8 |
1 |
9 |
12 |
|
|
8 |
5 |
|
19 |
1 |
14 |
7 |
8 |
1 |
|
|
|
1+1+3 |
= |
|
= |
|
|
|
|
|
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
1 |
1 |
5 |
7 |
8 |
1 |
|
|
|
5+9 |
= |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
4 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
-- |
-- |
|
- |
|
|
|
- |
|
5 |
|
|
- |
5 |
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+0 |
|
6 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
|
-- |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
-- |
-- |
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
2+4 |
|
- |
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
1+0 |
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
- |
|
1+3 |
- |
5+9 |
- |
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
- |
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
1 |
1 |
5 |
7 |
8 |
1 |
|
|
- |
- |
|
- |
- |
1+4 |
- |
- |
1 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
1 |
- |
5 |
|
8 |
- |
|
|
|
3+9 |
= |
|
1+2 |
|
|
|
|
8 |
- |
9 |
- |
|
|
8 |
|
|
19 |
- |
14 |
|
8 |
- |
|
|
|
6+6 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
1 |
- |
3 |
|
|
- |
5 |
|
|
1 |
|
7 |
- |
1 |
|
|
|
2+0 |
= |
|
= |
|
|
|
|
- |
1 |
- |
12 |
|
|
- |
5 |
|
|
1 |
|
7 |
- |
1 |
|
|
|
4+7 |
= |
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
1 |
9 |
12 |
|
|
8 |
5 |
|
19 |
1 |
14 |
7 |
8 |
1 |
|
|
|
1+1+3 |
= |
|
= |
|
|
|
|
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
1 |
1 |
5 |
7 |
8 |
1 |
|
|
|
5+9 |
= |
|
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
|
- |
|
5 |
|
|
- |
5 |
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
1+0 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
- |
- |
- |
|
occurs |
x |
|
= |
|
2+4 |
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
- |
|
1+3 |
- |
5+9 |
- |
3+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
8 |
1 |
9 |
3 |
|
|
8 |
5 |
|
1 |
1 |
5 |
7 |
8 |
1 |
|
|
- |
- |
|
- |
- |
1+4 |
- |
- |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
3 |
|
33 |
15 |
|
6 |
|
72 |
45 |
|
2 |
|
21 |
12 |
|
9 |
|
105 |
51 |
|
3 |
THE |
33 |
15 |
6 |
4 |
FOUR |
60 |
24 |
6 |
5 |
NOBLE |
48 |
21 |
3 |
6 |
TRUTHS |
106 |
25 |
7 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
2+4+7 |
8+5 |
2+2 |
|
Second Total |
|
13 |
4 |
- |
Reduce to Deduce |
1+3 |
1+3 |
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
5 |
ARIYA |
54 |
27 |
9 |
S |
= |
1 |
3 |
5 |
SACCA |
27 |
9 |
9 |
- |
- |
2 |
|
10 |
Add to Reduce |
|
|
|
- |
- |
- |
|
1+0 |
Reduce to Deduce |
8+1 |
3+6 |
1+8 |
Q |
- |
2 |
|
1 |
Essence of Number |
|
|
|
A |
= |
1 |
- |
5 |
`ARIYA |
54 |
27 |
9 |
S |
= |
1 |
3 |
5 |
SACCA |
27 |
9 |
9 |
- |
- |
2 |
|
10 |
Add to Reduce |
|
|
|
- |
- |
- |
|
1+0 |
Reduce to Deduce |
8+1 |
3+6 |
1+8 |
Q |
- |
2 |
|
1 |
Essence of Number |
|
|
|
- |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
|
- |
|
|
|
- |
- |
|
- |
|
- |
- |
9 |
|
- |
|
1 |
- |
- |
- |
- |
|
|
|
1+0 |
= |
|
= |
|
|
|
- |
|
- |
- |
9 |
|
- |
|
19 |
- |
- |
- |
- |
|
|
|
2+8 |
= |
|
1+0 |
|
|
|
- |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
|
- |
|
|
|
- |
- |
|
- |
|
1 |
9 |
|
7 |
1 |
|
|
1 |
3 |
3 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
- |
|
1 |
18 |
|
25 |
1 |
|
|
1 |
3 |
3 |
1 |
|
|
|
5+3 |
= |
|
= |
|
|
|
- |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
|
- |
|
|
|
- |
- |
|
- |
|
1 |
18 |
9 |
25 |
1 |
|
19 |
1 |
3 |
3 |
1 |
|
|
|
8+1 |
= |
|
= |
|
|
|
- |
|
1 |
9 |
9 |
7 |
1 |
|
1 |
1 |
3 |
3 |
1 |
|
|
|
3+6 |
= |
|
= |
|
|
|
- |
|
A |
R |
|
|
A |
|
|
A |
C |
C |
A |
|
|
|
|
|
|
|
- |
- |
|
- |
-- |
1 |
- |
|
|
1 |
|
1 |
1 |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
5 |
= |
|
2 |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
|
- |
- |
|
|
- |
|
|
- |
3 |
3 |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
|
4 |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
5 |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
6 |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
- |
|
7 |
- |
|
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
7 |
= |
|
8 |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
9 |
9 |
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
25 |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
20 |
|
|
|
|
|
|
|
2+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
- |
- |
1+0 |
- |
3+6 |
- |
2+7 |
7 |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
2 |
|
|
|
|
|
|
|
- |
|
1 |
9 |
9 |
7 |
1 |
|
1 |
1 |
3 |
3 |
1 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
7 |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
2 |
|
|
|
|
|
|
|
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
|
- |
|
|
|
- |
- |
|
|
- |
- |
9 |
|
- |
|
1 |
- |
- |
- |
- |
|
|
|
1+0 |
= |
|
= |
|
|
|
|
- |
- |
9 |
|
- |
|
19 |
- |
- |
- |
- |
|
|
|
2+8 |
= |
|
1+0 |
|
|
|
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
|
- |
|
|
|
- |
- |
|
|
1 |
9 |
|
7 |
1 |
|
|
1 |
3 |
3 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
1 |
18 |
|
25 |
1 |
|
|
1 |
3 |
3 |
1 |
|
|
|
5+3 |
= |
|
= |
|
|
|
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
|
- |
|
|
|
- |
- |
|
|
1 |
18 |
9 |
25 |
1 |
|
19 |
1 |
3 |
3 |
1 |
|
|
|
8+1 |
= |
|
= |
|
|
|
|
1 |
9 |
9 |
7 |
1 |
|
1 |
1 |
3 |
3 |
1 |
|
|
|
3+6 |
= |
|
= |
|
|
|
|
A |
R |
|
|
A |
|
|
A |
C |
C |
A |
|
|
|
|
|
|
|
- |
- |
|
-- |
1 |
- |
|
|
1 |
|
1 |
1 |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
- |
- |
|
|
- |
|
|
- |
3 |
3 |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
|
- |
- |
- |
|
7 |
- |
|
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
7 |
= |
|
- |
- |
9 |
9 |
- |
- |
|
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
- |
- |
1+0 |
- |
3+6 |
- |
2+7 |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
2 |
|
|
|
|
|
|
|
|
1 |
9 |
9 |
7 |
1 |
|
1 |
1 |
3 |
3 |
1 |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
A |
R |
I |
|
A |
|
|
A |
C |
C |
A |
|
|
2 |
|
|
|
|
|
|
|
THE BUDDHA |
|
|
SUTTA, SUTTAS |
FIVE NIKAYAS |
MAJJHIMA NIKAYAS |
T |
= |
2 |
- |
3 |
|
33 |
15 |
6 |
B |
= |
2 |
- |
6 |
|
40 |
22 |
4 |
- |
- |
6 |
- |
9 |
First Total |
|
|
10 |
|
|
|
|
|
Add to Reduce |
7+3 |
3+7 |
1+0 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
|
|
|
|
|
|
Essence of Number |
|
|
|
THE
BUDDHA
BUD HAD
THUS
HAVE I HEARD
B |
= |
2 |
- |
6 |
|
40 |
22 |
4 |
D |
= |
4 |
- |
9 |
|
113 |
41 |
5 |
- |
- |
6 |
- |
15 |
Add to Reduce |
|
|
9 |
|
|
|
|
1+5 |
Reduce to Deduce |
1+5+3 |
6+3 |
|
|
|
|
|
|
Essence of Number |
|
|
|
S |
= |
1 |
- |
5 |
|
81 |
90 |
9 |
S |
= |
1 |
- |
6 |
|
100 |
91 |
1 |
F |
= |
6 |
- |
8 |
|
42 |
24 |
6 |
N |
= |
5 |
- |
6 |
|
80 |
26 |
8 |
- |
- |
11 |
- |
14 |
Add to Reduce |
|
|
14 |
|
|
1+1 |
|
1+4 |
Reduce to Deduce |
1+2+2 |
5+0 |
1+4 |
|
|
|
|
|
Essence of Number |
|
|
|
M |
= |
4 |
- |
8 |
|
65 |
29 |
2 |
N |
= |
5 |
- |
6 |
|
61 |
25 |
7 |
- |
- |
9 |
- |
14 |
Add to Reduce |
|
|
9 |
|
|
|
|
1+4 |
Reduce to Deduce |
5+2+2 |
2+2+5 |
|
|
|
|
|
|
Essence of Number |
|
|
|
|
14 |
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
8 |
9 |
|
|
- |
5 |
9 |
|
|
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
- |
|
|
|
|
8 |
9 |
|
|
- |
14 |
9 |
|
|
|
|
|
|
|
4+0 |
= |
|
= |
|
= |
|
|
14 |
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
4 |
1 |
1 |
1 |
|
|
4 |
1 |
- |
|
|
2 |
1 |
7 |
1 |
|
|
|
2+3 |
= |
|
= |
|
= |
|
- |
- |
13 |
1 |
10 |
10 |
|
|
13 |
1 |
- |
|
|
11 |
1 |
25 |
1 |
|
|
|
8+6 |
= |
|
1+4 |
|
= |
|
|
14 |
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
13 |
1 |
10 |
10 |
8 |
9 |
13 |
1 |
- |
14 |
9 |
11 |
1 |
25 |
1 |
|
|
|
1+2+6 |
= |
|
= |
|
= |
|
- |
- |
4 |
1 |
1 |
1 |
8 |
9 |
4 |
1 |
- |
5 |
9 |
2 |
1 |
7 |
1 |
|
|
|
5+4 |
= |
|
= |
|
= |
|
|
14 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
7 |
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
9 |
|
|
|
|
9 |
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
1+6 |
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
2+9 |
|
|
1+4 |
|
5+2 |
|
3+4 |
|
|
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
1 |
1 |
8 |
9 |
4 |
1 |
- |
5 |
9 |
2 |
1 |
7 |
1 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
8 |
9 |
|
|
- |
5 |
9 |
|
|
|
|
|
|
|
3+1 |
= |
|
= |
|
= |
|
- |
|
|
|
|
8 |
9 |
|
|
- |
14 |
9 |
|
|
|
|
|
|
|
4+0 |
= |
|
= |
|
= |
|
14 |
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
4 |
1 |
1 |
1 |
|
|
4 |
1 |
- |
|
|
2 |
1 |
7 |
1 |
|
|
|
2+3 |
= |
|
= |
|
= |
|
- |
13 |
1 |
10 |
10 |
|
|
13 |
1 |
- |
|
|
11 |
1 |
25 |
1 |
|
|
|
8+6 |
= |
|
1+4 |
|
= |
|
14 |
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
13 |
1 |
10 |
10 |
8 |
9 |
13 |
1 |
- |
14 |
9 |
11 |
1 |
25 |
1 |
|
|
|
1+2+6 |
= |
|
= |
|
= |
|
- |
4 |
1 |
1 |
1 |
8 |
9 |
4 |
1 |
- |
5 |
9 |
2 |
1 |
7 |
1 |
|
|
|
5+4 |
= |
|
= |
|
= |
|
14 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
7 |
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
9 |
|
|
|
|
9 |
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
2+9 |
|
|
1+4 |
|
5+2 |
|
3+4 |
|
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
1 |
1 |
8 |
9 |
4 |
1 |
- |
5 |
9 |
2 |
1 |
7 |
1 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
- |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
6 |
|
3 |
SIX |
52 |
25 |
7 |
N |
|
|
|
9 |
|
4 |
NINE |
42 |
24 |
6 |
|
|
|
|
|
|
- |
- |
- |
- |
13 |
|
|
|
- |
1+5 |
|
8 |
THIRTEEN |
99 |
45 |
9 |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
- |
- |
- |
- |
- |
- |
G |
|
|
|
|
|
3 |
GOD |
26 |
17 |
8 |
C |
|
|
|
|
|
8 |
CREATORS |
99 |
36 |
9 |
T |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
S |
|
|
|
|
|
6 |
SPIRIT |
91 |
37 |
1 |
O |
|
|
|
|
|
2 |
OF |
21 |
12 |
3 |
T |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
S |
|
|
|
|
|
6 |
SPIRAL |
75 |
30 |
3 |
|
|
22 |
|
|
|
31 |
First Total |
|
|
|
|
|
2+2 |
|
|
|
3+1 |
Add to Reduce |
3+7+8 |
1+6+2 |
3+6 |
|
|
4 |
|
|
|
4 |
Second Total |
|
9 |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
THE MAGIC MOUNTAIN
Thomas Mann
1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
N |
O |
T |
A |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
L |
- |
- |
- |
- |
- |
- |
- |
- |
L |
- |
- |
- |
- |
- |
- |
- |
- |
Y |
- |
- |
- |
- |
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
U |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
C |
R |
U |
C |
I |
F |
I |
E |
D |
- |
- |
- |
- |
F |
- |
- |
- |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
D |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
U |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
C |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
C |
R |
U |
C |
I |
F |
I |
X |
I |
O |
N |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
X |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
5 |
DEATH |
38 |
20 |
2 |
2 |
ON |
29 |
11 |
2 |
3 |
THE |
33 |
15 |
6 |
5 |
CROSS |
74 |
20 |
2 |
24 |
First Total |
|
|
|
2+4 |
Add to Reduce |
2+7+1 |
1+0+0 |
1+9 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
- |
- |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
9 |
ATONEMENT |
107 |
35 |
8 |
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
2+0+4 |
6+9 |
1+5 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+5 |
- |
|
Essence of Number |
|
|
|
2 |
I+S |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
45 |
Add to Reduce |
|
|
|
4+5 |
Add to Reduce |
5+1+5 |
2+5+4 |
4+7 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
|
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
5 |
DEATH |
38 |
20 |
2 |
2 |
ON |
29 |
11 |
2 |
3 |
THE |
33 |
15 |
6 |
5 |
CROSS |
74 |
20 |
2 |
3 |
THE |
33 |
15 |
6 |
4 |
TRUE |
64 |
19 |
1 |
9 |
ATONEMENT |
107 |
35 |
8 |
2 |
I+S |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
4 |
SELF |
42 |
15 |
6 |
83 |
First Total |
|
|
|
8+3 |
Add to Reduce |
9+9+0 |
4+2+3 |
8+1 |
11 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
AT ONE MENTALLY GODS MENTALLY AT ONE
11 |
CRUCIFIXION |
- |
- |
- |
|
- |
|
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
|
- |
|
R |
18 |
9 |
9 |
|
- |
|
|
9 |
|
U |
21 |
3 |
3 |
|
3 |
|
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
|
- |
|
I |
9 |
9 |
9 |
|
- |
|
|
9 |
|
F |
6 |
6 |
6 |
|
|
|
6 |
- |
|
I |
9 |
9 |
9 |
|
|
|
- |
9 |
|
X |
24 |
6 |
6 |
|
|
|
6 |
- |
|
I |
9 |
9 |
9 |
|
|
|
- |
9 |
|
O |
15 |
6 |
6 |
|
|
|
6 |
- |
|
N |
14 |
5 |
5 |
|
|
5 |
|
|
11 |
CRUCIFIXION |
131 |
68 |
68 |
|
9 |
5 |
18 |
36 |
1+1 |
- |
1+3+1 |
6+8 |
6+8 |
|
|
- |
1+8 |
3+6 |
2 |
CRUCIFIXION |
5 |
14 |
14 |
|
9 |
5 |
9 |
9 |
- |
- |
- |
1+4 |
1+4 |
|
|
- |
|
|
2 |
CRUCIFIXION |
5 |
5 |
5 |
|
|
5 |
|
|
9 |
CRUCIFIED |
|
|
|
|
- |
|
|
|
|
3 |
3 |
3 |
|
3 |
|
- |
|
R |
18 |
9 |
9 |
|
- |
|
9 |
|
|
21 |
3 |
3 |
|
3 |
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
- |
|
|
9 |
9 |
9 |
|
- |
|
9 |
|
|
6 |
6 |
6 |
|
|
6 |
- |
|
|
9 |
9 |
9 |
|
|
- |
9 |
|
|
9 |
9 |
9 |
|
- |
|
9 |
9 |
CRUCIFIED |
78 |
51 |
51 |
|
9 |
6 |
36 |
- |
- |
7+8 |
5+1 |
5+1 |
|
|
- |
3+6 |
9 |
CRUCIFIED |
15 |
6 |
6 |
|
9 |
6 |
9 |
- |
- |
1+5 |
- |
- |
|
|
- |
|
9 |
CRUCIFIED |
6 |
6 |
6 |
|
|
6 |
|
7 |
CRUCIFY |
|
|
|
|
- |
|
|
|
|
|
3 |
3 |
3 |
|
3 |
|
|
- |
|
R |
18 |
9 |
9 |
|
- |
|
|
9 |
|
|
21 |
3 |
3 |
|
3 |
|
|
- |
|
C |
3 |
3 |
3 |
|
3 |
|
|
- |
|
|
9 |
9 |
9 |
|
- |
|
|
9 |
|
|
6 |
6 |
6 |
|
|
6 |
|
|
|
|
25 |
7 |
7 |
|
- |
|
|
|
7 |
CRUCIFY |
67 |
40 |
51 |
|
9 |
6 |
7 |
18 |
- |
- |
6+7 |
4+0 |
5+1 |
|
|
- |
- |
1+8 |
7 |
CRUCIFY |
13 |
4 |
6 |
|
9 |
6 |
7 |
9 |
- |
- |
1+3 |
- |
- |
|
|
- |
- |
|
7 |
CRUCIFY |
4 |
4 |
6 |
|
|
6 |
7 |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
6 |
9 |
|
|
|
|
6 |
|
|
|
|
|
|
2+1 |
= |
|
= |
|
|
|
- |
|
24 |
9 |
|
|
|
|
15 |
|
|
|
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
7 |
5 |
- |
2 |
|
2 |
5 |
3 |
|
|
|
2+4 |
= |
|
= |
|
|
|
- |
|
|
|
16 |
5 |
- |
20 |
|
20 |
5 |
3 |
|
|
|
6+9 |
= |
|
1+5 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
24 |
9 |
16 |
5 |
- |
20 |
15 |
20 |
5 |
3 |
|
|
|
1+1+7 |
= |
|
|
|
|
|
- |
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
4+5 |
= |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
-- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
- |
-- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
- |
- |
|
- |
|
- |
- |
|
|
|
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
13 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
- |
|
|
- |
4+5 |
- |
2+7 |
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
|
|
|
|
- |
- |
|
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE FLAYED ONE
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
9 |
|
|
|
|
6 |
|
|
|
|
|
|
2+1 |
= |
|
= |
|
|
|
|
24 |
9 |
|
|
|
|
15 |
|
|
|
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
7 |
5 |
- |
2 |
|
2 |
5 |
3 |
|
|
|
2+4 |
= |
|
= |
|
|
|
|
|
|
16 |
5 |
- |
20 |
|
20 |
5 |
3 |
|
|
|
6+9 |
= |
|
1+5 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
24 |
9 |
16 |
5 |
- |
20 |
15 |
20 |
5 |
3 |
|
|
|
1+1+7 |
= |
|
|
|
|
|
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
4+5 |
= |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
- |
|
|
- |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+0 |
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
- |
|
- |
- |
|
|
|
- |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
- |
|
- |
|
- |
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+2 |
- |
|
|
- |
4+5 |
- |
2+7 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
9 |
7 |
5 |
- |
2 |
6 |
2 |
5 |
3 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
- |
5 |
GREAT |
51 |
24 |
6 |
L |
= |
3 |
- |
10 |
LIBERATION |
105 |
51 |
6 |
|
- |
|
- |
|
Add to Reduce |
|
|
|
|
- |
1+2 |
- |
1+8 |
Reduce to Deduce |
1+8+9 |
9+0 |
1+8 |
|
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
I |
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
6 |
5 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
- |
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
15 |
14 |
|
|
|
5+5 |
|
|
1+0 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
I |
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
2 |
|
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
|
2 |
5 |
9 |
1 |
2 |
|
|
|
|
|
|
5+3 |
|
|
= |
|
|
|
- |
- |
20 |
|
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
|
2 |
5 |
18 |
1 |
20 |
|
|
|
|
|
|
1+3+4 |
|
|
= |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
I |
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
9 |
2 |
5 |
18 |
1 |
20 |
9 |
15 |
14 |
|
|
|
1+8+9 |
|
|
1+8 |
|
|
|
- |
- |
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
|
|
|
9+0 |
|
|
|
|
|
|
|
18 |
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
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- |
|
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|
|
5 |
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
|
|
|
|
|
|
|
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|
|
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|
6 |
|
|
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|
occurs |
x |
|
= |
6 |
= |
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|
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|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
|
= |
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|
|
|
|
|
|
|
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|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
I |
|
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|
|
|
I |
|
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|
|
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|
|
|
|
|
|
|
|
1+8 |
- |
- |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
3+8 |
|
|
1+8 |
|
9+0 |
|
4+5 |
|
|
|
|
|
- |
|
|
|
|
|
- |
|
I |
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
I |
|
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|
I |
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|
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|
|
- |
|
|
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|
|
- |
|
I |
|
|
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|
I |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
6 |
5 |
|
|
|
3+7 |
|
|
1+0 |
|
|
|
- |
|
8 |
|
- |
|
|
|
|
|
- |
|
9 |
|
|
|
|
|
9 |
15 |
14 |
|
|
|
5+5 |
|
|
1+0 |
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- |
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I |
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- |
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5 |
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7 |
9 |
5 |
1 |
2 |
- |
3 |
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2 |
5 |
9 |
1 |
2 |
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5+3 |
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- |
20 |
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5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
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2 |
5 |
18 |
1 |
20 |
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1+3+4 |
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- |
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I |
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I |
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- |
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- |
20 |
8 |
5 |
- |
7 |
18 |
5 |
1 |
20 |
- |
12 |
9 |
2 |
5 |
18 |
1 |
20 |
9 |
15 |
14 |
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1+8+9 |
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1+8 |
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- |
2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
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9+0 |
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18 |
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occurs |
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2 |
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occurs |
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3 |
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occurs |
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5 |
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occurs |
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20 |
2+0 |
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6 |
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occurs |
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6 |
= |
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occurs |
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occurs |
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8 |
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9 |
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9 |
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occurs |
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27 |
2+7 |
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- |
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I |
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1+8 |
- |
- |
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- |
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3+8 |
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1+8 |
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9+0 |
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4+5 |
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2 |
8 |
5 |
- |
7 |
9 |
5 |
1 |
2 |
- |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
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1+1 |
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8 |
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9 |
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9 |
6 |
5 |
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3+7 |
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1+0 |
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8 |
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9 |
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9 |
15 |
14 |
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5+5 |
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1+0 |
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I |
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I |
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- |
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- |
2 |
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5 |
7 |
9 |
5 |
1 |
2 |
3 |
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2 |
5 |
9 |
1 |
2 |
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5+3 |
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= |
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- |
20 |
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5 |
7 |
18 |
5 |
1 |
20 |
12 |
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2 |
5 |
18 |
1 |
20 |
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1+3+4 |
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= |
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I |
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I |
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- |
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- |
20 |
8 |
5 |
7 |
18 |
5 |
1 |
20 |
12 |
9 |
2 |
5 |
18 |
1 |
20 |
9 |
15 |
14 |
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1+8+9 |
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1+8 |
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- |
2 |
8 |
5 |
7 |
9 |
5 |
1 |
2 |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
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9+0 |
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18 |
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- |
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- |
- |
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occurs |
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= |
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= |
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- |
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2 |
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occurs |
x |
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= |
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= |
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- |
- |
- |
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3 |
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occurs |
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= |
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= |
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- |
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5 |
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occurs |
x |
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= |
20 |
2+0 |
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6 |
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occurs |
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= |
6 |
= |
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occurs |
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= |
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occurs |
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= |
8 |
= |
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- |
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9 |
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9 |
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occurs |
x |
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= |
27 |
2+7 |
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I |
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I |
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1+8 |
- |
- |
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3+8 |
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1+8 |
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9+0 |
|
4+5 |
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I |
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I |
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2 |
8 |
5 |
7 |
9 |
5 |
1 |
2 |
3 |
9 |
2 |
5 |
9 |
1 |
2 |
9 |
6 |
5 |
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|
1+1 |
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I |
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I |
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S |
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6 |
|
3 |
SIX |
52 |
25 |
7 |
N |
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|
9 |
|
4 |
NINE |
42 |
24 |
6 |
|
|
|
|
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|
- |
- |
- |
- |
13 |
|
|
|
- |
1+5 |
|
8 |
THIRTEEN |
99 |
45 |
9 |
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
- |
|
- |
- |
- |
- |
- |
- |
G |
|
|
|
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|
3 |
GOD |
26 |
17 |
8 |
C |
|
|
|
|
|
8 |
CREATORS |
99 |
36 |
9 |
T |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
S |
|
|
|
|
|
6 |
SPIRIT |
91 |
37 |
1 |
O |
|
|
|
|
|
2 |
OF |
21 |
12 |
3 |
T |
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
S |
|
|
|
|
|
6 |
SPIRAL |
75 |
30 |
3 |
|
|
22 |
|
|
|
31 |
First Total |
|
|
|
|
|
2+2 |
|
|
|
3+1 |
Add to Reduce |
3+7+8 |
1+6+2 |
3+6 |
|
|
4 |
|
|
|
4 |
Second Total |
|
9 |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
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|
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|
Essence of Number |
|
|
|
NAMASTE
PEACE LOVE AND LIGHT UNTO ALL SENTIENT BEINGS
HOLY BIBLE
Scofield References
Page 1117
A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St John Chapter 3 verse 3
3 + 3 3 x 3
6 x 9
54
5 + 4
9
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born, but in order to be born he must first die, and in order to die he must first awake' "
" 'When a man awakes he can die; when he dies he can be born' "
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
- |
- |
- |
- |
- |
THE SHORT PATH |
- |
- |
- |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
|
5 |
|
80 |
35 |
|
P |
= |
7 |
|
4 |
|
45 |
18 |
|
- |
- |
|
- |
|
THE SHORT PATH |
|
|
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|
- |
1+0 |
- |
1+2 |
- |
1+5+8 |
6+8 |
2+3 |
- |
|
|
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|
THE SHORT PATH |
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- |
|
- |
- |
1+4 |
1+4 |
- |
- |
|
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|
THE SHORT PATH |
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- |
- |
- |
- |
- |
THE SHORT PATH |
- |
- |
- |
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T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
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- |
S |
= |
1 |
|
5 |
|
80 |
35 |
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- |
P |
= |
7 |
|
4 |
|
45 |
18 |
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- |
- |
- |
|
- |
|
THE SHORT PATH |
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- |
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1 |
1 |
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20 |
2 |
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- |
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2 |
1 |
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8 |
8 |
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- |
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3 |
1 |
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5 |
5 |
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- |
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15 |
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3 |
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33 |
15 |
15 |
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- |
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4 |
1 |
|
19 |
10 |
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5 |
1 |
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8 |
8 |
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- |
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|
6 |
1 |
|
15 |
6 |
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- |
R |
= |
9 |
7 |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
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8 |
1 |
|
20 |
2 |
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- |
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|
31 |
|
3 |
|
80 |
35 |
35 |
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- |
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|
9 |
1 |
|
16 |
7 |
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- |
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10 |
1 |
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1 |
1 |
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11 |
1 |
|
20 |
2 |
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- |
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12 |
1 |
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8 |
8 |
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- |
- |
- |
18 |
- |
|
|
45 |
18 |
18 |
- |
- |
|
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- |
- |
- |
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- |
- |
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- |
- |
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- |
- |
- |
- |
- |
THE SHORT PATH |
- |
- |
- |
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T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
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|
2+4 |
|
S |
= |
1 |
|
5 |
|
80 |
35 |
|
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P |
= |
7 |
|
4 |
|
45 |
18 |
|
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- |
- |
|
- |
|
THE SHORT PATH |
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- |
1+0 |
- |
1+2 |
- |
1+5+8 |
6+8 |
2+3 |
- |
|
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- |
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THE SHORT PATH |
|
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|
- |
|
- |
- |
1+4 |
1+4 |
- |
- |
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- |
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THE SHORT PATH |
|
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- |
- |
- |
- |
- |
THE SHORT PATH |
- |
- |
- |
|
|
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|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
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|
|
|
- |
S |
= |
1 |
|
5 |
|
80 |
35 |
|
|
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|
- |
P |
= |
7 |
|
4 |
|
45 |
18 |
|
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- |
- |
- |
|
- |
|
THE SHORT PATH |
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- |
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1 |
1 |
|
20 |
2 |
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- |
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2 |
1 |
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8 |
8 |
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- |
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3 |
1 |
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5 |
5 |
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- |
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4 |
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THE SHORT PATH |
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THE SHORT PATH |
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THE SHORT PATH |
- |
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T |
= |
2 |
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3 |
THE |
33 |
15 |
6 |
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2+4 |
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1 |
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5 |
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80 |
35 |
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4 |
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45 |
18 |
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THE SHORT PATH |
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- |
1+0 |
- |
1+2 |
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1+5+8 |
6+8 |
2+3 |
- |
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THE SHORT PATH |
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- |
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1+4 |
1+4 |
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THE SHORT PATH |
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13 |
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151 |
61 |
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110 |
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157 |
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146 |
65 |
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O |
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6 |
- |
3 |
OUT |
56 |
11 |
2 |
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6 |
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2 |
OF |
21 |
12 |
3 |
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= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
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6 |
COMETH |
64 |
28 |
1 |
O |
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6 |
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3 |
ONE |
34 |
16 |
7 |
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29 |
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18 |
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14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
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- |
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- |
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- |
- |
1+1 |
- |
- |
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1+4 |
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WAY OF THE PEACEFUL WARRIOR
A
BOOK THAT CHANGES LIVES
Dan Millman 1980
Page 44
"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 / "Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a saying of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying I knew this for a certainty-and something else was being born Then the light engulfed everything."
A BUDDHISTS BIBLE
Edited by Dwight Goddard
1966
SUMMARY OF BUDDHA'S DHARMA
Page 656
NIRVANA
"But after a Bodhisattva attains the eighth stage there is thereafter"no more recension," and he goes on to the attainment of highest perfect Wisdom which constrains him, instead of passing to Nirvana, to return to the Saha world of Ignorance and suffering for its liberation and enlightenment. Hence the saying in the Lankavatara Sutra:
"FOR BUDDHAS THERE IS NO NIRVANA."
Page 273
THE GREAT DHARANI
OM
OH THOU PERFECTLY ENLIGHTENED ENLIGHTEN ALL SENTIENT BEINGS
OH THOU WHO ART PERFECT IN WISDOM AND COMPASSION EMANCIPATE ALL BEINGS
AND BRING THEM TO
BUDDHAHOOD
OM
SVAHA
HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ...
www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
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SENTIENT BEINGS |
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SENTIENT |
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8+1 |
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9 |
9 |
Sentient beings (Buddhism) - Wikipedia
en.wikipedia.org › wiki › Sentient_beings_(Buddhism)
In Buddhism, sentient beings are beings with consciousness, sentience, or in some contexts life itself. ... Sentient beings are composed of the five aggregates, In Buddhism, sentient beings are beings with consciousness, sentience, or in some contexts life itself.[1] Sentient beings are composed of the five aggregates, or skandhas: matter, sensation, perception, mental formations and consciousness. In the Samyutta Nikaya, the Buddha is recorded as saying that "just as the word 'chariot' exists on the basis of the aggregation of parts, even so the concept of 'being' exists when the five aggregates are available."[2] While distinctions in usage and potential subdivisions or classes of sentient beings vary from one school, teacher, or thinker to another, it principally refers to beings in contrast with buddhahood. That is, sentient beings are characteristically not enlightened, and are thus confined to the death, rebirth, and dukkha (suffering) characteristic of sa?sara.[3]
However, Mahayana Buddhism simultaneously teaches that sentient beings also contain Buddha-nature—the intrinsic potential to transcend the conditions of sa?sara and attain enlightenment, thereby obtaining Buddhahood.[4]
Those who greatly enlighten illusion are Buddhas; those who are greatly deluded about enlightenment are sentient beings.
— —Dogen[3]
In Mahayana Buddhism, it is to sentient beings that the Bodhisattva vow of compassion is pledged. Particularly in Tibetan Buddhism and Japanese Buddhism, all beings (including plant life and even inanimate objects or entities considered "spiritual" or "metaphysical" by conventional Western
Sentient beings is a term used to designate the totality of living, conscious beings that constitute the object and audience of Buddhist teaching. Translating various Sanskrit terms (jantu, bahu jana, jagat, sattva), sentient beings conventionally refers to the mass of living things subject to illusion, suffering, and rebirth (Sa?sara). Less frequently, sentient beings as a class broadly encompasses all beings possessing consciousness, including Buddhas and Bodhisattvas.[1]
Classification?[edit]
Early scriptures in the Pali Canon and the conventions of the Tibetan Bhavacakra classify sentient beings into five categories—divinities, humans, animals, tormented spirits, and denizens of hell—although sometimes the classification adds another category of beings called asuras between divinities and humans.[1]
What Is a Sentient Being? Definition and Examples of Sentient Beings
sentientmedia.org › sentient-being
6 Aug 2021 · In Buddhism, a sentient being includes every conscious creature. There are several classes of sentient beings. Amongst these are a class for ...
umans have long insisted on believing that we are different from other animals, and somehow better. This idea, however, is slowly starting to change. Animals have moved into our homes as companions. We spend hours watching their antics on social media. We throw birthday parties on their behalf and spend millions every year on their care. And while our relationships with our pets are changing, research is also increasingly demonstrating sentience in nonhuman animals, challenging the idea that humans and animals are separated by an insurmountable gap.
Who Is a Sentient Being?
There are a number of different definitions for sentience, and thus sentient beings. Most of the disagreements surrounding who qualifies are about different animals and where they fall on the scale of sentience.
In Buddhism, a sentient being includes every conscious creature. There are several classes of sentient beings. Amongst these are a class for humans and one for animals. The class of animals includes all species whether mammal, bird, fish, or insect. The classes are ranked, however, with people ranking above animals. Plants are the only living thing excluded from consideration as a sentient being, because Buddhists do not see them as conscious.
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SENTIENT BEINGS |
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56 |
38 |
2 |
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9 |
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2+4+3 |
8+1 |
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9 |
9 |
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SENTIENT BEINGS |
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SENTIENT |
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SENTIENT |
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1 |
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- |
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- |
- |
- |
15 |
- |
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106 |
43 |
15 |
- |
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- |
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- |
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BEINGS |
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- |
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- |
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- |
B |
= |
2 |
9 |
1 |
B |
2 |
2 |
2 |
- |
- |
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- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
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- |
- |
|
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- |
I |
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9 |
11 |
1 |
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9 |
9 |
9 |
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N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
- |
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- |
- |
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|
- |
G |
= |
7 |
13 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
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- |
S |
= |
1 |
14 |
1 |
S |
19 |
10 |
1 |
- |
|
|
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|
- |
- |
- |
29 |
|
|
|
56 |
38 |
29 |
|
- |
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- |
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- |
- |
- |
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|
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|
SENTIENT BEINGS |
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|
3+0 |
|
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|
1+8 |
|
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|
SENTIENT |
106 |
43 |
7 |
|
|
|
|
|
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|
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|
56 |
38 |
2 |
|
|
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|
243 |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
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|
|
1+4 |
|
2+4+3 |
8+1 |
- |
|
|
|
|
|
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|
|
|
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|
9 |
9 |
9 |
- |
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|
SENTIENT BEINGS |
|
|
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|
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|
|
|
|
|
|
|
|
SENTIENT |
106 |
43 |
7 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
56 |
38 |
2 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
243 |
|
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
- |
|
|
|
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|
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|
|
|
- |
|
|
|
|
|
SENTIENT |
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
1 |
1 |
S |
19 |
10 |
1 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
E |
= |
5 |
2 |
1 |
E |
5 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
3 |
4 |
|
6 |
|
8 |
- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
4 |
|
6 |
|
8 |
|
E |
= |
5 |
6 |
1 |
E |
5 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
N |
= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
3 |
4 |
|
6 |
|
8 |
- |
B |
= |
2 |
9 |
1 |
B |
2 |
2 |
2 |
- |
- |
|
3 |
4 |
|
6 |
|
8 |
- |
E |
= |
5 |
10 |
1 |
E |
5 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
I |
= |
9 |
11 |
1 |
I |
9 |
9 |
9 |
|
|
|
3 |
4 |
|
6 |
|
8 |
|
N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
G |
= |
7 |
13 |
1 |
G |
7 |
7 |
7 |
- |
- |
|
3 |
4 |
|
6 |
|
8 |
- |
S |
= |
1 |
14 |
1 |
S |
19 |
10 |
1 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
- |
- |
- |
|
|
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|
|
|
|
- |
|
|
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- |
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- |
- |
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SENTIENT BEINGS |
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|
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|
3+0 |
|
|
|
1+8 |
|
|
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|
SENTIENT |
106 |
43 |
7 |
|
|
|
|
|
|
|
|
|
|
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|
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|
56 |
38 |
2 |
|
|
|
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|
|
|
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|
|
243 |
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
2+4+3 |
8+1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
9 |
9 |
- |
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 6 = 30
"The most common letter in the English alphabet is E."
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SENTIENT BEINGS |
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|
SENTIENT |
106 |
43 |
7 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
56 |
38 |
2 |
|
|
|
|
|
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|
|
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- |
|
|
|
|
|
|
243 |
|
9 |
|
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|
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|
|
|
|
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|
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|
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|
|
|
|
SENTIENT |
|
|
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|
|
|
|
|
|
|
|
|
S |
= |
1 |
1 |
1 |
S |
19 |
10 |
1 |
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|
|
3 |
4 |
|
6 |
|
8 |
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1 |
14 |
1 |
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19 |
10 |
1 |
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|
|
3 |
4 |
|
6 |
|
8 |
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
3 |
4 |
|
6 |
|
8 |
- |
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
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- |
|
3 |
4 |
|
6 |
|
8 |
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2 |
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B |
2 |
2 |
2 |
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- |
|
3 |
4 |
|
6 |
|
8 |
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5 |
2 |
1 |
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5 |
5 |
5 |
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|
|
3 |
4 |
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6 |
|
8 |
- |
N |
= |
5 |
3 |
1 |
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5 |
5 |
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|
|
3 |
4 |
|
6 |
|
8 |
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= |
5 |
6 |
1 |
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5 |
5 |
5 |
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|
|
3 |
4 |
|
6 |
|
8 |
- |
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= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
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|
|
3 |
4 |
|
6 |
|
8 |
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= |
5 |
10 |
1 |
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5 |
5 |
5 |
- |
|
|
3 |
4 |
|
6 |
|
8 |
- |
N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
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|
|
3 |
4 |
|
6 |
|
8 |
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G |
= |
7 |
13 |
1 |
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7 |
7 |
7 |
- |
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|
3 |
4 |
|
6 |
|
8 |
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= |
9 |
5 |
1 |
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9 |
9 |
9 |
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3 |
4 |
|
6 |
|
8 |
|
I |
= |
9 |
11 |
1 |
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9 |
9 |
9 |
|
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3 |
4 |
|
6 |
|
8 |
|
- |
- |
- |
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- |
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- |
- |
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SENTIENT BEINGS |
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|
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|
3+0 |
|
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|
1+8 |
|
|
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|
|
SENTIENT |
106 |
43 |
7 |
|
|
|
|
|
|
|
|
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|
56 |
38 |
2 |
|
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|
|
|
|
|
243 |
|
9 |
|
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|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
2+4+3 |
8+1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
9 |
9 |
- |
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|
SENTIENT BEINGS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SENTIENT |
106 |
43 |
7 |
|
|
|
|
|
- |
|
|
|
|
|
|
56 |
38 |
2 |
|
|
|
|
|
- |
|
|
|
|
|
|
243 |
|
9 |
|
|
|
|
|
|
- |
- |
- |
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
SENTIENT |
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|
|
|
|
|
|
|
|
S |
= |
1 |
1 |
1 |
S |
19 |
10 |
1 |
- |
|
|
|
|
- |
S |
= |
1 |
14 |
1 |
S |
19 |
10 |
1 |
- |
|
|
|
|
- |
T |
= |
2 |
4 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
- |
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
- |
- |
|
|
|
- |
B |
= |
2 |
9 |
1 |
B |
2 |
2 |
2 |
- |
- |
|
|
|
- |
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= |
5 |
2 |
1 |
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5 |
5 |
5 |
- |
|
|
|
|
- |
N |
= |
5 |
3 |
1 |
N |
14 |
5 |
5 |
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|
|
|
|
- |
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= |
5 |
6 |
1 |
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5 |
5 |
5 |
- |
|
|
|
|
- |
N |
= |
5 |
7 |
1 |
N |
14 |
5 |
5 |
- |
|
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|
|
- |
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= |
5 |
10 |
1 |
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5 |
5 |
5 |
- |
|
|
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|
- |
N |
= |
5 |
12 |
1 |
N |
14 |
5 |
5 |
- |
|
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|
- |
G |
= |
7 |
13 |
1 |
G |
7 |
7 |
7 |
- |
- |
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- |
I |
= |
9 |
5 |
1 |
I |
9 |
9 |
9 |
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I |
= |
9 |
11 |
1 |
I |
9 |
9 |
9 |
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- |
- |
- |
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- |
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- |
- |
- |
- |
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SENTIENT BEINGS |
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|
3+0 |
|
1+8 |
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|
SENTIENT |
106 |
43 |
7 |
|
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|
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56 |
38 |
2 |
|
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243 |
|
9 |
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|
1+4 |
|
2+4+3 |
8+1 |
- |
|
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9 |
9 |
9 |
- |
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|
That sound, the original Vedic mantra OM, when expressed through Brahma's mouth becomes the sacred Gayatri--mother of the Vedas. ... www.crystalinks.com/vedas.html
The Vedas are perhaps the oldest written text on our planet today. They date back to the beginning of Indian civilization and are the earliest literary records of the whole Aryan race. They are supposed to have been passed through oral tradition for over 100,000 years. They came to us in written form between 4-6,000 years ago.
The Vedas are divided into four groups, Rigveda, Yajurveda, Samaveda and Atharvaveda. Each group has an original text (Mantra) and a commentary portion (Brahmana).
The Brahmana again has two portions, one interpreting ritual and the other the philosophy. The portions interpreting the philosophy of the original texts constitute the Upanishads.
There are also auxiliary texts called Vedangas. Vedic literature refers to the whole of this vast group of literature. The whole of Rgveda and most of Atharvaveda are in the form of poetry, or hymns to the deities and the elements.
Samaveda is in verses that are to be sung and Yajurveda is largely in short prose passages. Both Samaveda and Yajurveda are concerned with rituals rather than philosophy - especially Yajurveda.
Rigveda
The Rig-Veda Samhita is the oldest significant extant Indian text. It is a collection of 1,028 Vedic Sanskrit hymns and 10,600 verses in all, organized into ten books (Sanskrit: mandalas). The hymns are dedicated to Rigvedic deities. The books were composed by sages and poets from different priestly groups over a period of at least 500 years, which Avari dates as 1400 BCE to 900 BCE, if not earlier According to Max Müller, based on internal evidence (philological and linguistic), the Rigveda was composed roughly between 17001100 BCE (the early Vedic period) in the Punjab (Sapta Sindhu) region of the Indian subcontinent. Michael Witzel believes that the Rig Veda must have been composed more or less in the period 1450-1350 BCE. There are strong linguistic and cultural similarities between the Rigveda and the early Iranian Avesta, deriving from the Proto-Indo-Iranian times, often associated with the Andronovo culture; the earliest horse-drawn chariots were found at Andronovo sites in the Sintashta-Petrovka cultural area near the Ural mountains and date to ca. 2000 BCE.
Rigveda means the Veda of Adoration and mostly contains verses adoring or adulating deities. But it also dealt with other subjects, like the procedure of wedding, the folly of gambling. About two-thirds of Rigveda is about the gods Agni (Fire) and Indra (Ruler of the gods). Other Rigvedic gods include Rudra, the two Ashvins,Savitar and Surya, Varuna, the Maruts and the Ribhus. There are references to a divine creeper, the Soma, whose juice was an energizer. Some animals like horses, some rivers, and even some implements (like mortar and pestle) were deified. Rigveda contains a sense of intimate communion between Nature and the Rishis or visionaries. According to some, the concerns of Rigveda are those of simple, nomadic, pastoral Aryans. According to others, the people in the times of the Rigveda had a settled home, definite mode of life, developed social customs, political organizations, and even arts and amusements. Rigveda is the oldest, largest and most important of the Vedas, containing ten thousand verses forming 1017 poems in 20 groups.
Yajurveda
The Yajur-Veda ("Veda of sacrificial formulas") consists of archaic prose mantras and also in part of verses borrowed from the Rig-Veda. Its purpose was practical, in that each mantra must accompany an action in sacrifice but, unlike the Sama-Veda, it was compiled to apply to all sacrificial rites, not merely the Soma offering. There are two major recensions of this Veda known as the "Black" and "White" Yajur-Veda. The origin and meaning of these designations are not very clear. The White Yajur-Veda contains only the verses and sayings necessary for the sacrifice, while explanations exist in a separate Brahmana work. It differs widely from the Black Yajurveda, which incorporates such explanations in the work itself, often immediately following the verses. Of the Black Yajurveda four major recensions survive, all showing by and large the same arrangement, but differing in many other respects, notably in the individual discussion of the rituals but also in matters of phonology and accent.
Yajurveda refers to acts of worship such as oblations made into Agni or Fire. It has two branches, Krishna or Black and Shukla or White. While both contain mantras or incantations to be chanted at rituals, Black Yajurveda also has many explanations. The recensions of Black Yajurveda are Taittirya, Katthaka, Maitrayani and Kapishtthala. Those of White Yajurveda are Madhyanadina and Kanva. The literary value of Yajurveda is mostly for its prose, which consists of short terse sentences full of meaning and cadence.
Samveda
The Sama-Veda is the "Veda of chants" or "Knowledge of melodies". The name of this Veda is from the Sanskrit word saman which means a metrical hymn or song of praise. It consists of 1549 stanzas, taken entirely (except 78) from the Rig-Veda. Some of the Rig-Veda verses are repeated more than once. Including repetitions, there are a total of 1875 verses numbered in the Sama-Veda recension published by Griffith. Two major recensions remain today, the Kauthuma/Ranayaniya and the Jaiminiya. P> Its purpose was liturgical and practical, to serve as a songbook for the "singer" priests who took part in the liturgy. A priest who sings hymns from the Sama-Veda during a ritual is called an udgat, a word derived from the Sanskrit root ud-gai ("to sing" or "to chant"). A similar word in English might be "cantor". The styles of chanting are important to the liturgical use of the verses. The hymns were to be sung according to certain fixed melodies; hence the name of the collection.
Samaveda consists of a selection of poetry mainly from the Rigveda, and some original matter. It has two parts, Purva-Archika (First Adoratona) and Uttar-Archika (Later Adoration), containing verses addressed to the three gods Agni (Fire), Indra (King of Gods) and Soma (Energizing Herb). The verses are not to be chanted anyhow, but to be sung in specifically indicated melodies using the seven svaras or notes. Such songs are called Samagana and in this sense Samaveda is really a book of hymns.
Atharvaveda
Atharvaveda means the Veda of the Wise and the Old. It is associated with the name of the ancient poet Atharvan (The Wise Old One). It is also called Atharva-Angirasa, being associated with the name of another rishi, Angiras. Although later in age, the Atharvaveda reveals a more primitive culture than the Rigveda. The custom is to enumerate Yajurveda and Samaveda after the Rigveda, and mention Atharvaveda last. Atharvaveda contains about 6 thousand verses forming 731 poems and a small portion in prose. About one seventh of the Atharvaveda text is common to the Rigveda.
Atharvaveda contains first class poetry coming from visionary poets, much of it being glorification of the curative powers of herbs and waters. Many poems relate to diseases like cough and jaundice, to male and female demons that cause diseases, to sweet-smelling herbs and magic amulets, which drive diseases away. There are poems relating to sins and their atonement, errors in performing rituals and their expiatory acts, political and philosophical issues, and a wonderful hymn to Prithvi or Mother Earth.
Vedas Wikipedia The Vedas describe Vimanas or space ships Upanishads
The Upanishads are regarded as part of the Vedas and as such form part of the Hindu scriptures. They primarily discuss philosophy, meditation, and the nature of God; they form the core spiritual thought of Vedantic Hinduism. Considered as mystic or spiritual contemplations of the Vedas, their putative end and essence, the Upanishads are known as Vedanta ("the end/culmination of the Vedas"). The Upanishads do not belong to a particular period of Sanskrit literature. The oldest, such as the Brhadaranyaka and Chandogya Upanishads, may date to the Brahmana period (roughly before the 31st century BC; before Gita was constructed), while the youngest, depending on the canon used, may date to the medieval or early modern period.
The word Upanishad comes from the Sanskrit verb sad (to sit) and the two prepositions upa and ni (under and at). They are sacred tests of spiritual and philosophical nature. Vedic literature is divided into karmakanda containing Samhitas (hymns) and Brahmanas (commentaries), and gyanakanda containing knowledge in the form of the Aranyakas and Upanishads. Thus each Upanishad is associated with a Veda, Isha-upanishad with Shukla Yajurveda, Kena-upanishad with Samaveda, and so on.
The earliest Upanishads may have been composed between B.C. 800 and 400.There have been several later additions, leading to 112 Upanishads being available today. But the major Upanishads are ten, Isha, Kena, Kattha, Prashna, Mundaka, Mandukya, Taittiriya, Aitareya, Shwetashwatara, Chhandogya and Brihadaryanyaka. The teachings of the Upanishads, and those of the Bhagavat Gita, form the basis of the Vedanta philosophy.
The Isha-upanishad emphasizes the identity of the human soul with the divine soul. The Kena-upanishad discusses the qualities of the divine essence (Brahman) and the relationship of the gods to the divine essence. The Katha-upanishad, through the story of Nachiketa, discussed death and the permanence of the soul (Atman). The fairly long Chhandogya-upanishad develops the idea of transmigration of souls. The rihadaryanaka -upanishad, the longest of the Upanishads, bears the message of the completeness of the divine essence, and the associated peace. As literary remnants of the ancient past, the Upanishads both lucid and elegant - have great literary value.
OM BHUR BHUVAH SVAH TAT SAVITUR VARENYAM
BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACODAYAT
Om bhur bhuvah svah
tat-savitur varenyam
bhargo devasya dhimahi
dhiyo yo nah pracodayat
The Gayatri Mantra:
Om bhur bhuvah svah tat savitur varenyam
Bhargo devasya dhimahi dhiyo yo nah prachodayat
OM BHUR BHUVAH SVAH TAT SAVITUR VARENYAM
BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACHODAYAT
"Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat"
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3 |
|
33 |
15 |
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|
|
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|
7 |
|
81 |
36 |
|
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|
|
|
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|
|
|
|
|
|
4 |
|
6 |
|
67 |
22 |
|
|
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|
|
|
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|
|
|
|
|
|
|
First Total |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+6 |
Add to Reduce |
1+8+1 |
7+3 |
1+9 |
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|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
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|
Essence of Number |
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|
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|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
110 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
VARENYAM |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
BHARGO |
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
DEVASYA |
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
7 |
|
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
112 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+1 |
|
7+5 |
Add to Reduce |
8+5+5 |
3+5+1 |
7+2 |
|
|
|
|
1+2 |
2+0 |
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
81 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
6 |
|
67 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+6 |
Add to Reduce |
1+8+1 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
16 |
|
189 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
110 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
VARENYAM |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
BHARGO |
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
DEVASYA |
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
31 |
|
378 |
126 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
7 |
|
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
112 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
28 |
|
288 |
153 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+1 |
|
7+5 |
Add to Reduce |
8+5+5 |
3+5+1 |
7+2 |
|
|
|
|
1+2 |
2+0 |
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
OM BHUR BHUVAH SVAH
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
81 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
6 |
|
67 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+6 |
Add to Reduce |
1+8+1 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
1+6 |
Add to Reduce |
1+8+9 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
81 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
6 |
|
67 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+6 |
Add to Reduce |
1+8+1 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
16 |
|
189 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
110 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
VARENYAM |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
BHARGO |
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
DEVASYA |
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
31 |
|
378 |
126 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
4+7 |
Add to Reduce |
5+6+7 |
1+9+8 |
4+5 |
|
|
|
|
|
1+5 |
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
TAT SAVITUR VARENYAM
BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACHODAYAT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
81 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
6 |
|
67 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+6 |
Add to Reduce |
1+8+1 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
110 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
VARENYAM |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
BHARGO |
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
DEVASYA |
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
31 |
|
378 |
126 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
7 |
|
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
112 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
27 |
|
42 |
|
288 |
153 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
4+2 |
Add to Reduce |
6+6+6 |
2+7+9 |
4+5 |
|
|
|
|
|
1+5 |
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
OM BHUR BHUVAH SVAH TAT SAVITUR VARENYAM
BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACHODAYAT
"Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat"
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
81 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
6 |
|
67 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+6 |
Add to Reduce |
1+8+1 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
28 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
50 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
41 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
110 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
VARENYAM |
99 |
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
BHARGO |
51 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
DEVASYA |
77 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
7 |
|
52 |
43 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
61 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
40 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
|
112 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5+1 |
|
7+5 |
Add to Reduce |
8+5+5 |
3+5+1 |
7+2 |
|
|
|
|
1+2 |
2+0 |
|
1+4 |
|
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
VEDAS |
51 |
15 |
6 |
8 |
- |
|
|
|
- |
- |
8+4 |
3+0 |
1+2 |
8 |
- |
|
|
|
|
- |
1+2 |
- |
- |
|
- |
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
HOLY |
60 |
24 |
6 |
5 |
VEDAS |
51 |
15 |
6 |
13 |
- |
|
|
|
1+3 |
- |
1+4+4 |
5+4 |
1+8 |
4 |
- |
|
|
|
5 |
VEDAS |
51 |
15 |
6 |
6 |
AVESTA |
68 |
14 |
5 |
- |
GAYATRI |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
3 |
A+Y+A |
27 |
9 |
9 |
1 |
T |
20 |
2 |
2 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
7 |
GAYATRI |
|
|
|
- |
- |
8+1 |
3+6 |
3+6 |
7 |
GAYATRI |
|
|
|
The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, ... www.gurjari.net/ico/Mystica/html/gayatri_mantra.htm
Gayatri is a metre of the Rig-Veda (see Veda) consisting of 24 syllables. This metre has been used in a number of Rig Vedic mantras. The syllables are arranged differently for different mantras, the most common being a triplet of eight syllables each. The Gayatri or the Savitri mantra composed in this triplet form is the most famous and sacred of all mantras. It is a prayer in honour of the Sun, also called Savitur.
The Gayatri with the Mahavyahritis is uttered as- Om, bhur, bhuvah, svah tat Savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat This mantra is believed to have been composed by Sage Vishvamitra. According to others, however, it is so ancient that the four Vedas were born of it.
Initially, this mantra was a simple invocation to the Sun to bless all on earth. Gradually it came to be regarded as a mystic formula of universal power. This was probably due to its simplicity and its power to evolve the idealistic notion of a world that originated from an all-pervading Intelligence.
According to the Skanda Purana, nothing in the Vedas is superior to the Gayatri. No invocation is equal to it just as no city is equal to Kashi (see Tirtha). The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, Shiva and the Vedas.
According to the Aitareya Brahmana (see Brahmana), those who desire to go to heaven should recite this mantra a thousand times. The Gayatri Mantra must be recited by all 'twice-born' (see Upanayanam) Hindus, Gayatri Mantra especially the Brahmins, who are expected to recite it every morning and evening. This mantra was however not allowed be reciting or even hearing by a Shudra or a woman. In the early Vedic age however, the status of women was considerably higher than in the later Vedic age. Rishinis or women rishis like Gargi and Lopamudra are said to have undergone the Upanayanam and the former indeed, engaged in debate none less than the law giver, Yajnavalkya. Later, when this mantra became exclusive to 'twice-born' males, care was taken not to recite it loudly.
The Gayatri Mantra is also recited at various rituals pertaining to divine worship and the ritual of the manes (see Shradha). It is said that the recitation of the Gayatri five times a day is as effective as performing the panchamahayagya.
This mantra is taught for the first time during the Upanayanam ceremony when the guru whispers it into the ears of the newly Recitation of the Pupil (brahmopadesham). Thereafter the pupil is expected to recite it every morning and evening throughout his life
It should ideally be recited 16 times a day. To keep track, the right hand is used. When the mantra is recited the first time, the thumb is placed on the third joint of the ring finger and is held there till the mantra is complete. With each completion, the thumb moves one more joints, down the ring finger, up the little finger, over the tips, down the index finger, up the middle finger and the sixteenth recitation is completed on the third joint of the middle finger. When reciting the Gayatri Mantra, the sacred thread (see Upanayanam) is held across the thumb of the right hand.
The Gayatri is the mother of the Vedas, it contains the essence of all the Vedas and of the Brahmanas, for the Gayatri is believed to embody Brahma, Vishnu, ... www.gurjari.net/ico/Mystica/html/gayatri_mantra.htm
Gayatri is the Mother of the Vedas
- |
GAYATRI |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
3 |
A+Y+A |
27 |
9 |
9 |
1 |
T |
20 |
2 |
2 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
7 |
GAYATRI |
|
|
|
- |
- |
8+1 |
3+6 |
3+6 |
7 |
GAYATRI |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
7 |
1 |
7 |
1 |
2 |
9 |
|
|
|
|
7+2 |
|
|
= |
|
|
|
-`` |
- |
7 |
1 |
25 |
1 |
20 |
18 |
|
|
|
|
2+7 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
7 |
1 |
25 |
1 |
20 |
18 |
9 |
|
|
|
8+1 |
|
|
= |
|
|
|
- |
- |
7 |
1 |
7 |
1 |
2 |
9 |
9 |
|
|
|
3+6 |
|
|
= |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+4 |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
|
|
|
|
|
|
9 |
9 |
|
|
1+9 |
|
|
|
|
3+6 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
1 |
7 |
1 |
2 |
9 |
9 |
|
|
1+0 |
|
|
- |
|
- |
|
- |
8 |
7 |
|
|
|
|
|
R |
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
= |
|
|
|
- |
- |
|
|
|
|
|
|
9 |
|
|
|
|
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
7 |
1 |
7 |
1 |
2 |
9 |
|
|
|
|
7+2 |
|
|
= |
|
|
|
-`` |
- |
7 |
1 |
25 |
1 |
20 |
18 |
|
|
|
|
2+7 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
7 |
1 |
25 |
1 |
20 |
18 |
9 |
|
|
|
8+1 |
|
|
= |
|
|
|
- |
- |
7 |
1 |
7 |
1 |
2 |
9 |
9 |
|
|
|
3+6 |
|
|
= |
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
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35 |
8 |
8 |
M |
= |
4 |
4 |
MANI |
37 |
19 |
1 |
P |
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7 |
5 |
PADME |
39 |
21 |
3 |
H |
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8 |
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42 |
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20 |
15 |
AUM MANI PADME HUM |
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|
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6 |
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35 |
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8 |
M |
= |
4 |
4 |
MANE |
33 |
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39 |
21 |
3 |
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3 |
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- |
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|
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2 |
6 |
AUM MANE PADME HUM |
|
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- |
- |
- |
- |
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1+4 |
1+4 |
- |
- |
- |
2 |
6 |
AUM MANE PADME HUM |
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- |
OM MANI PADME HUM |
- |
- |
- |
2 |
OM |
28 |
10 |
1 |
4 |
MANI |
37 |
19 |
1 |
5 |
PADME |
39 |
21 |
3 |
3 |
HUM |
42 |
15 |
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14 |
OM MANI PADME HUM |
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- |
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OM MANI PADME HUM |
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10 |
1 |
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M+A |
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23 |
14 |
5 |
- |
P+A+D |
21 |
12 |
3 |
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M+E |
18 |
9 |
9 |
- |
H+U+M |
42 |
15 |
6 |
14 |
OM-MA-NI-PAD-ME-HUM |
146 |
65 |
29 |
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1+4+6 |
6+5 |
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- |
OM-MA-NI-PAD-ME-HUM |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
5 |
OM-MA-NI-PAD-ME-HUM |
2 |
2 |
2 |
14 |
OM-MA-NI-PAD-ME-HUM |
146 |
65 |
2 |
14 |
OM-MA-NE-PAD-ME-HUM |
142 |
61 |
7 |
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- |
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10 |
1 |
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M+A |
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1 |
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P+A+D |
21 |
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M+E |
18 |
9 |
9 |
- |
H+U+M |
42 |
15 |
6 |
14 |
OM-MA-NE-PAD-ME-HUM |
142 |
61 |
25 |
1+4 |
|
1+4+2 |
6+1 |
2+5 |
5 |
OM-MA-NE-PAD-ME-HUM |
7 |
7 |
7 |
14 |
OM-MA-NI-PAD-ME-HUM |
146 |
65 |
2 |
14 |
OM-MA-NE-PAD-ME-HUM |
142 |
61 |
7 |
14 |
AUM-MA-NE-PAD-ME-HUM |
153 |
63 |
9 |
THE GREAT LIBERATION
The Tibetan Book of the Great Liberation
The Tibetan Book of the Great Liberation by W. Y. Evans-Wentz, Carl Jung
The-Tibetan-Book-of-the-Great-Liberation-Padma-Sambhava ...
The Tibetan Book of the Great Liberation. The Method of Realizing Nirvanna Through Knowing. The Mind by Padma Sambhava.
Bardo Thodol - Wikipedia
Wikipedia
https://en.wikipedia.org › wiki › Bardo_Thodol
"the great liberation" from en.wikipedia.org
(2005) The Tibetan Book of the Dead [English title]: The Great Liberation by Hearing in the Intermediate States [Tibetan title]; composed by Padma Sambhava:The Bardo Thodol (Tibetan: ??????????????, Wylie: bar do thos grol, "Liberation Through Hearing During the Intermediate State"), commonly known in the West as The Tibetan Book of the Dead, is a terma text from a larger corpus of teachings, the Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones,[1][note 1] revealed by Karma Lingpa (1326–1386). It is the best-known work of Nyingma literature.[3] In 1927 the text was one of the first examples of both Tibetan and Vajrayana literature to be translated into a European language and arguably continues to this day to be the best known.[4][5]
The Tibetan text describes, and is intended to guide one through, the experiences that the consciousness has after death, in the bardo, the interval between death and the next rebirth. The text also includes chapters on the signs of death and rituals to undertake when death is closing in or has taken place. The text can be used as either an advanced practice for trained meditators or to support the uninitiated during the death experience.Etymology
Bar do thos grol (Tibetan: ??????????????, Wylie: bar do thos grol, THL: bardo thödrol) translates as: “Liberation (grol) through Hearing (thos) in the Intermediate State (bardo)”
The Tibetan bar and its Sanskrit cognate antara mean ‘between.’ The Sanskrit bhava means a place of existence. Thus antarabhava means ‘an existence between,’ translated into Tibetan as bardo.
thos grol: thos means hearing.[6] Grol means ‘liberation,’ which may be understood in this context as being synonymous with the Sanskrit bodhi, "awakening", "understanding", "enlightenment", as well as with the term nirva?a, "blowing out", "extinction", "the extinction of illusion".[7] Grol has connotations of freeing, liberating, unravelling, becoming undone.[8]
Original text
Origins and dating
Centuries old Zhi-Khro mandala, a part of the Bardo Thodol's collection, a text known in the West as The Tibetan Book of the Dead, which comprises part of a group of bardo teachings held in the Nyingma (Tibetan tradition) originated with guru Padmasambhava in the 8th century.
According to Tibetan tradition, the Liberation Through Hearing During the Intermediate State was composed in the 8th century by Padmasambhava, written down by his primary student, Yeshe Tsogyal, buried in the Gampo hills in central Tibet and subsequently discovered by a Tibetan terton, Karma Lingpa, in the 14th century.[9][10][11]
bar do thos grol
The Tibetan title is bar do thos grol,[12] Liberation Through Hearing During the Intermediate State.[1] It consists of two comparatively long texts:[1]
"Great Liberation through Hearing: The Supplication of the Bardo of Dharmata" (chos nyid bar do'i gsol 'debs thos grol chen mo), the bardo of dharmata (including the bardo of dying);
"Great Liberation through Hearing: The Supplication Pointing Out the Bardo of Existence" (strid pa'i bar do ngo sprod gsol 'debs thos grol chen mo), the bardo of existence.
Within the texts themselves, the two combined are referred to as Liberation through Hearing in the Bardo, Great Liberation through Hearing, or just Liberation through Hearing.[note 2]
kar-gling zhi-khro
Main article: Zhitro
It is part of a larger terma cycle, Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones[1] (zab-chos zhi khro dgongs pa rang grol, also known as kar-gling zhi-khro),[2] popularly known as "Karma Lingpa's Peaceful and Wrathful Ones."[1]
The Profound Dharma of Self-Liberation is known in several versions, containing varying numbers of sections and subsections, and arranged in different orders, ranging from around ten to thirty-eight titles.[1] The individual texts cover a wide range of subjects, including meditation instructions, visualizations of deities, liturgies and prayers, lists of mantras, descriptions of the signs of death, indications of future rebirth, and texts such as the bar do thos grol that are concerned with the bardo-state.[1]
Three bardos
Main article: Bardo
The Bardo Thodol differentiates the intermediate state between lives into three bardos:
The chikhai bardo or "bardo of the moment of death", which features the experience of the "clear light of reality", or at least the nearest approximation of which one is spiritually capable;
The chonyid bardo or "bardo of the experiencing of reality", which features the experience of visions of various Buddha forms, or the nearest approximations of which one is capable;
The sidpa bardo or "bardo of rebirth", which features karmically impelled hallucinations which eventually result in rebirth, typically yab-yum imagery of men and women passionately entwined.
The Liberation Through Hearing During the Intermediate State also mentions three other bardos:[note 3]
"Life", or ordinary waking consciousness;
"Dhyana" (meditation);
"Dream", the dream state during normal sleep.
Together these "six bardos" form a classification of states of consciousness into six broad types. Any state of consciousness can form a type of "intermediate state", intermediate between other states of consciousness. Indeed, one can consider any momentary state of consciousness a bardo, since it lies between our past and future existences; it provides us with the opportunity to experience reality, which is always present but obscured by the projections and confusions that are due to our previous unskillful actions.
T |
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THE |
33 |
15 |
6 |
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5 |
GREAT |
51 |
24 |
6 |
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= |
3 |
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10 |
LIBERATION |
105 |
51 |
6 |
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18 |
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1+2 |
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
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9 |
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Reduce to Deduce |
1+8 |
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Essence of Number |
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THE GREAT LIBERATION |
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15 |
6 |
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GREAT |
51 |
24 |
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10 |
LIBERATION |
105 |
51 |
6 |
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THE GREAT LIBERATION |
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GREAT |
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7 |
4 |
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7 |
7 |
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18 |
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9 |
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20 |
2 |
2 |
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- |
5 |
GREAT |
51 |
51 |
24 |
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LIBERATION |
- |
- |
- |
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= |
3 |
9 |
1 |
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12 |
3 |
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|
|
|
|
- |
I |
= |
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
11 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
12 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
5 |
|
|
|
|
R |
= |
9 |
13 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
14 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
16 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
17 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
- |
N |
= |
5 |
18 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
5 |
|
|
|
|
|
|
|
- |
10 |
LIBERATION |
105 |
41 |
41 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+0 |
|
|
|
3+6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
10 |
LIBERATION |
105 |
51 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+8 |
- |
1+8+9 |
9+0 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
10 |
LIBERATION |
105 |
51 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
4 |
|
|
|
|
|
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
|
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
4 |
|
|
|
|
|
R |
= |
9 |
5 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
E |
= |
5 |
6 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
A |
= |
1 |
7 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
4 |
|
|
|
|
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
L |
= |
3 |
9 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
4 |
|
|
|
|
- |
I |
= |
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
B |
= |
2 |
11 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
E |
= |
5 |
12 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
R |
= |
9 |
13 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
A |
= |
1 |
14 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
4 |
|
|
|
|
|
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
I |
= |
9 |
16 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
O |
= |
6 |
17 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
4 |
|
|
|
|
- |
N |
= |
5 |
18 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
|
|
|
- |
18 |
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+0 |
|
|
|
3+6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
10 |
LIBERATION |
105 |
51 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+8 |
- |
1+8+9 |
9+0 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
10 |
LIBERATION |
105 |
51 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
7 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
4 |
|
|
|
|
|
A |
= |
1 |
14 |
1 |
A |
1 |
1 |
1 |
|
|
|
|
4 |
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
T |
= |
2 |
8 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
B |
= |
2 |
11 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
B |
= |
2 |
11 |
1 |
B |
2 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
T |
= |
2 |
15 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
4 |
|
|
|
|
|
L |
= |
3 |
9 |
1 |
L |
12 |
3 |
3 |
- |
|
- |
|
4 |
|
|
|
|
- |
E |
= |
5 |
3 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
E |
= |
5 |
12 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
E |
= |
5 |
6 |
1 |
E |
5 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
N |
= |
5 |
18 |
1 |
N |
14 |
5 |
5 |
|
|
|
|
4 |
5 |
|
|
|
|
O |
= |
6 |
17 |
1 |
O |
15 |
6 |
6 |
|
|
|
|
4 |
|
|
|
|
- |
H |
= |
8 |
2 |
1 |
H |
8 |
8 |
8 |
|
|
|
|
4 |
|
|
|
|
|
|
= |
7 |
4 |
1 |
G |
7 |
7 |
7 |
|
|
|
|
4 |
|
|
|
|
|
R |
= |
9 |
5 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
I |
= |
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
R |
= |
9 |
13 |
1 |
R |
18 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
I |
= |
9 |
16 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
4 |
|
|
|
|
|
|
|
|
- |
18 |
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
2+0 |
|
|
|
3+6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
|
10 |
LIBERATION |
105 |
51 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+8 |
- |
1+8+9 |
9+0 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THE GREAT LIBERATION |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
L |
= |
3 |
|
10 |
LIBERATION |
105 |
51 |
6 |
|
|
|
|
18 |
First Total |
|
|
|
|
|
1+2 |
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
|
|
|
|
9 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
|
|
|
|
Essence of Number |
|
|
|
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
7 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
9 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
4 |
|
28 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
2 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
4 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
5 |
|
32 |
23 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
14 |
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
4 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
19 |
4 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
|
|
|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE DIAMOND SUTRA |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
- |
- |
- |
- |
1+5 |
|
1+7+2 |
7+3 |
1+9 |
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
10 |
10 |
10 |
- |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
1 |
1 |
1 |
- |
- |
- |
- |
- |
THE DIAMOND SUTRA |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
HE DIAMOND SUTRA |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
HE DIAMOND SUTRA |
33 |
15 |
15 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
4 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
7 |
HE DIAMOND SUTRA |
60 |
33 |
15 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
5 |
HE DIAMOND SUTRA |
79 |
25 |
25 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE DIAMOND SUTRA |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
1+2 |
1+0 |
|
|
- |
1+8 |
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+5 |
|
1+7+2 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE DIAMOND SUTRA |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
HE DIAMOND SUTRA |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
7 |
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
15 |
HE DIAMOND SUTRA |
79 |
25 |
25 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
15 |
THE DIAMOND SUTRA |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
1+2 |
1+0 |
|
|
- |
1+8 |
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+5 |
|
1+7+2 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE DIAMOND SUTRA |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
HE DIAMOND SUTRA |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
12 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
7 |
|
|
|
|
|
7 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
25 |
|
15 |
HE DIAMOND SUTRA |
79 |
25 |
25 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
15 |
THE DIAMOND SUTRA |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
1+2 |
1+0 |
|
|
- |
1+8 |
D |
= |
4 |
- |
7 |
DIAMOND |
60 |
33 |
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
- |
5 |
SUTRA |
79 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
15 |
HE DIAMOND SUTRA |
172 |
73 |
19 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+5 |
|
1+7+2 |
7+3 |
1+9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
10 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
- |
7 |
- |
6 |
HE DIAMOND SUTRA |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
-4 |
YAMA |
40 |
13 |
4 |
4 |
RAJA |
30 |
12 |
3 |
8 |
YAMA-RAJA |
70 |
25 |
7 |
- |
- |
7+0 |
2+5 |
- |
8 |
YAMA-RAJA |
7 |
7 |
7 |
- |
OM MANI PADME HUM |
- |
- |
- |
2 |
OM |
28 |
10 |
1 |
4 |
MANI |
37 |
19 |
1 |
5 |
PADME |
39 |
21 |
3 |
3 |
HUM |
42 |
15 |
6 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+4+6 |
6+5 |
1+1 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
- |
5 |
Essence of Number |
|
|
|
|
|
|
|
|
- |
O+M |
28 |
10 |
1 |
- |
M+A |
14 |
5 |
5 |
- |
N+I |
23 |
14 |
5 |
- |
P+A+D |
21 |
12 |
3 |
- |
M+E |
18 |
9 |
9 |
- |
H+U+M |
42 |
15 |
6 |
14 |
OM-MA-NI-PAD-ME-HUM |
146 |
65 |
29 |
1+4 |
- |
1+4+6 |
6+5 |
2+9 |
5 |
OM-MA-NI-PAD-ME-HUM |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
5 |
OM-MA-NI-PAD-ME-HUM |
2 |
2 |
2 |
14 |
OM-MA-NI-PAD-ME-HUM |
146 |
65 |
2 |
14 |
OM-MA-NE-PAD-ME-HUM |
142 |
61 |
7 |
|
|
|
|
|
|
O+M |
28 |
10 |
1 |
|
M+A |
14 |
5 |
5 |
|
N+E |
19 |
10 |
1 |
|
P+A+D |
21 |
12 |
3 |
|
M+E |
18 |
9 |
|
|
H+U+M |
42 |
15 |
6 |
|
|
|
|
|
1+4 |
|
1+4+2 |
6+1 |
2+5 |
|
|
|
|
|
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
I
MEAN NAME AMEN
THOU ART NOW ENTERED INTO DEEP HYPNOTIC TRANCE AND WILL BE GIVEN THESE AUTOSUGGESTIONS THAT WILL BE CARRIED OUT BY THE MIND BY THE BODY BY THE SUBCONSCIOUS MIND BY THE CONSCIOUS MIND BY THE HIGHER MIND ALL CONTAINED WITHIN THE QUINTESSENTIAL MOMENT OF THE NOW OF CREATIVE CONSCIOUSNESS OF MIND ESSENCE THESE THEN ARE THE AUTOSUGGESTIONS THAT DAY BY DAY AND IN EVERY WAY THAT THAT THAT HOLY ISISIS DRAWETH THE KUNDALINI SPIRIT ENERGY FROM OUT THE IN OF HOLY MOTHER WOMB GUIDING HER UPWARDS THROUGH THE ROOT SPINE UNTO THE FIRST SECOND AND THIRD CHAKRA ONTO THE FOURTH FIFTH SIXTH AND SEVENTH CHAKRA INTO THE EIGHTH AND NINTH CHAKRA OF HIGHEST ENLIGHTENMENT OF MIND ESSENCE THE THOUSAND PETAL LOTUS OF BUDDHAHOOD AND THERIN VOW TO CONTINUE LIVING THE DREAM AND NOT TO ENTER FINALLY INTO HIGHEST ENLIGHTENMENT OF MIND ESSENCE AS LONG AS SENTIENT BEINGS DREAM OUT THEIR DESTINY OR THE GREAT MOTHER THAT HOLY ISISIS DREAMETH THAT DREAM AWAY
SEEKING ENLIGHTENMENT
- |
- |
- |
- |
13 |
THE PATH OF PTAH |
- |
- |
- |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
P |
= |
7 |
- |
5 |
PATH |
45 |
18 |
9 |
O |
= |
6 |
- |
3 |
OF |
21 |
12 |
3 |
P |
= |
7 |
- |
3 |
PTAH |
45 |
18 |
9 |
- |
- |
22 |
- |
13 |
THE PATH OF PTAH |
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|
- |
- |
2+2 |
- |
1+3 |
- |
1+4+4 |
6+3 |
2+7 |
- |
- |
4 |
- |
4 |
THE PATH OF PTAH |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
4 |
THE PATH OF PTAH |
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.
SEEKING ENLIGHTENMENT
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S |
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E |
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- |
- |
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1 |
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2+0 |
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2+1+6 |
1+0+8 |
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- |
- |
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1 |
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S |
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E |
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- |
- |
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1 |
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12 |
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1 |
1 |
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19 |
10 |
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2 |
1 |
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5 |
5 |
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3 |
1 |
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5 |
5 |
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4 |
1 |
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11 |
2 |
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5 |
1 |
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9 |
9 |
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6 |
1 |
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14 |
5 |
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7 |
1 |
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7 |
7 |
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8 |
1 |
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5 |
5 |
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9 |
1 |
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14 |
5 |
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L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
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I |
= |
9 |
11 |
1 |
I |
9 |
9 |
9 |
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9 |
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12 |
1 |
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7 |
7 |
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13 |
1 |
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8 |
8 |
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8 |
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14 |
1 |
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20 |
2 |
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15 |
1 |
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5 |
5 |
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16 |
1 |
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14 |
5 |
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M |
= |
4 |
17 |
1 |
M |
13 |
4 |
4 |
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18 |
1 |
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5 |
5 |
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19 |
1 |
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14 |
5 |
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20 |
1 |
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20 |
2 |
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5+0 |
|
1+4 |
|
1+8 |
S |
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E |
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- |
- |
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1 |
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2+0 |
|
2+1+6 |
1+0+8 |
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- |
- |
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1 |
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S |
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E |
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- |
- |
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1 |
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12 |
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1 |
1 |
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19 |
10 |
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2 |
1 |
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5 |
5 |
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3 |
1 |
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5 |
5 |
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4 |
1 |
|
11 |
2 |
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5 |
1 |
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9 |
9 |
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6 |
1 |
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14 |
5 |
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7 |
1 |
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7 |
7 |
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8 |
1 |
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5 |
5 |
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9 |
1 |
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14 |
5 |
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L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
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I |
= |
9 |
11 |
1 |
I |
9 |
9 |
9 |
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9 |
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12 |
1 |
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7 |
7 |
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13 |
1 |
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8 |
8 |
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8 |
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14 |
1 |
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20 |
2 |
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15 |
1 |
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5 |
5 |
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16 |
1 |
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14 |
5 |
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M |
= |
4 |
17 |
1 |
M |
13 |
4 |
4 |
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18 |
1 |
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5 |
5 |
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19 |
1 |
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14 |
5 |
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20 |
1 |
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20 |
2 |
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5+0 |
|
1+4 |
|
1+8 |
S |
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|
E |
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- |
- |
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1 |
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2+0 |
|
2+1+6 |
1+0+8 |
|
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- |
- |
|
1 |
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|
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 9 = 50
the letter E
According to the data, the most common letter in the English language is the letter E
E typically takes first place regardless of which analysis method is used.
What's The Most Common Letter Used In English?
Thesaurus.com
https://www.thesaurus.com › ways-to-say › most-commo...
Letter Frequencies in the English Language is the letter E
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S |
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E |
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- |
- |
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1 |
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12 |
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1 |
1 |
|
19 |
10 |
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4 |
1 |
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11 |
2 |
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14 |
1 |
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20 |
2 |
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20 |
1 |
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20 |
2 |
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L |
= |
3 |
10 |
1 |
L |
12 |
3 |
3 |
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M |
= |
4 |
17 |
1 |
M |
13 |
4 |
4 |
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2 |
1 |
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5 |
5 |
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3 |
1 |
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5 |
5 |
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6 |
1 |
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14 |
5 |
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8 |
1 |
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5 |
5 |
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9 |
1 |
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14 |
5 |
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15 |
1 |
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5 |
5 |
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16 |
1 |
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14 |
5 |
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18 |
1 |
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5 |
5 |
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19 |
1 |
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14 |
5 |
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7 |
1 |
|
7 |
7 |
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12 |
1 |
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7 |
7 |
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13 |
1 |
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8 |
8 |
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8 |
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5 |
1 |
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9 |
9 |
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|
I |
= |
9 |
11 |
1 |
I |
9 |
9 |
9 |
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9 |
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|
5+0 |
|
1+4 |
|
1+8 |
S |
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|
E |
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- |
- |
|
1 |
|
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|
2+0 |
|
2+1+6 |
1+0+8 |
|
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- |
- |
|
1 |
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|
LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
5 x 9 = 50
SO READ ME ONCE AND READ ME TWICE AND READ ME ONCE AGAIN ITS BEEN A LONG LONG TIME
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1 |
2 |
|
34 |
16 |
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2 |
4 |
|
28 |
19 |
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3 |
2 |
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18 |
9 |
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6 |
4 |
4 |
|
37 |
19 |
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5 |
3 |
|
19 |
10 |
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6 |
4 |
|
28 |
19 |
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4 |
7 |
2 |
|
18 |
9 |
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8 |
5 |
|
60 |
24 |
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|
1 |
9 |
3 |
|
19 |
10 |
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10 |
4 |
|
28 |
19 |
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|
11 |
2 |
|
18 |
9 |
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|
12 |
4 |
|
37 |
19 |
|
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|
13 |
5 |
|
32 |
23 |
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|
9 |
14 |
3 |
|
48 |
12 |
|
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|
15 |
4 |
|
26 |
17 |
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|
16 |
1 |
|
1 |
1 |
|
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|
|
|
17 |
4 |
|
48 |
21 |
|
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|
18 |
4 |
|
48 |
21 |
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|
|
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|
|
2 |
19 |
4 |
|
47 |
20 |
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|
First Total |
|
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|
|
|
|
|
|
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|
|
|
|
7+7 |
|
6+4 |
Add to Reduce |
5+9+4 |
2+9+7 |
7+2 |
|
|
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|
|
|
|
|
2+7 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
1+0 |
Reduce to Deduce |
1+8 |
1+8 |
|
|
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|
|
|
Essence of Number |
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|
EHT NAMUH 1973
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